indigo eli

The Poetry of Object 0.2

fore.head.word

poetry speaks the unspoken, seeks to make the intangible tangible

wandering bird ... a little black pen doodle by indigo eli of a little budgie walking along ... its footprints show behind

The Poetry of Object 0.2
object is a verb

is:

an online solo exhibition

… of visual poetry . object poetry . artworks . documents . artefacts . poems . whatever-you-call-ems

the second in a series* of exhibitions exploring visual art as playful, thought-provoking poetic work. in this collection, a multi-form poet consults and creates documents, delivering conceptual pieces that speak symbolic. themes of ethics, rights, law and language are explored through a poetic lens, in works personally relevant to the artist, and to Australian society as a whole

* The Poetry of Object 0.1

a ( …a …ah …poem …?)

a square black and white photo of indigo’s poetic tools …  an assortment of objects are laid out on a dark polka dot fabric, in a deliberate design, all connected by touch ... flowing from the top left a plastic right angle french curve ruler, a fabric lint brush, a gridded A3 cutting board, a boxed set of small screwdrivers, a pair of pliers, a vintage auto toolkit tin filled with threads and snips and vintage velvet metal pin cushion and other assorted bits and bobs, a silver scalpel ... and at the bottom of the cutting mat, an indigo eli calling card. an artefact label added to the bottom of the image, black text on white reads: Poet's tool kit, circa July 2023.

arg! ... a little black pen doodle by indigo eli of a branch-like structure holding four nests ...  a speech bubble from one reads "arg!"

accessibility & inclusions

access points to this exhibition include:

  • online access … to suit your where and when
  • various forms of language and expression:
    • visuals … photos with alt-text and image descriptions in the poet’s voice
    • Auslan artwork descriptions
    • English: a mix of normal, plain and poetic English
  • kind text size & contrast (I hope) … some words are little for effect, please feel free to zoom in and out as needed
  • sources & links … to follow if wishing for more information
  • and some fun & curious conversations .. audio & transcript

flower ... a little black pen doodle by indigo eli of a flower curved downward on its stem dropping a tiny inner petal ... or a seed?


content & care

on the big topic-ness: these pieces are not intended as critiques, or to lean into the negative, they are poetic explorations and connections of meaning or moment, issue or idea … using art as a means of processing, understanding and documenting history & experience

content and care: works touch on some heavy topics and complex considerations, such as: conduct in the arts … gender & the gst … the care, protection & treatment of adults & children … the reporting & documenting of abuse & neglect … refugees, asylum seekers & statelessness … penalties & detention … the black summer bushfires …. silence .. and speaking up

whilst care and consideration has gone into the making and presentation of these works, please also take care when audiencing … and in the afterwards
… and any after words

support services are listed at the end

soundtrack suggestion:
Weightless (Ambient Transmissions Vol.2) by Marconi Union

la la bird ... a little black pen doodle by indigo eli of a little budgie walking along ... its footprints showing behind ... it has a speech bubble from its beak "la la la"

arty fact: a study led to Track 1, ‘Weightless’ by Marconi Union featuring Lyz Cooper, becoming known as ‘the world’s most relaxing song’

document: Mindlab Report: A Study Investigating the Relaxation Effects of the Music Track Weightless

… interestingly this report . and the article linked below . begins with a quoted piece of poetry
William Congreve‘s words: Music hath charms to soothe a savage breast, to soften rocks…”


. .. … enjoy! … .. .

The Poetry of Object 0.2

… object is a verb

index *

fore.word
access
content & care
acknowledgment of country
opening statement
artist statement
art.works
thankings
support, advocacy, advice

* links to and from the index are provided for navigation purposes
the artist recommends experiencing the exhibition as a whole ~ in order

acknowledgment of country

I acknowledge the Australian Aboriginal and Torres Strait Islander peoples as the Traditional Custodians and storytellers of the lands on which I live, learn and create. I recognise their ongoing connection to country, culture and community, and the importance of Indigenous cultural practices and knowledge. I pay my respect to Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander people living today.

Sovereignty was never ceded.

‘It makes no sense to us why our native rights to our lands and waters were protected in the Letters Patent but not in reality … To us it is unfinished business. It is something that the Government of South Australia has to come to terms with.’ George Trevorrow, Thomas Trevorrow, & Matthew Rigney*

* source: preface, Coming To Terms: Aboriginal Title in South Australia

These works were created on Kaurna country and have been exhibited in venues across South Australia … on Kaurna and Peramangk land, and on the lands of River Murray and Mallee People, including the Ngawait, Nganguruku, Naintait, Erawirung, Ngaralte, Ngarkat and Ngaiawang.

I acknowledge and extend respect to the First Nations people of the lands on which you are right now … and all those around this globe.

We have much to learn.

related documents:
letters patent issued by King William IV, 19 Feb, 1836
transcript including this interesting bit: ‘Provided Always that nothing in those our Letters Patent contained shall affect or be construed to affect the rights of any Aboriginal Natives of the said Province to the actual occupation or enjoyment in their own Persons or in the Persons of their Descendants of any Lands therein now actually occupied or enjoyed by such Natives’

Coming to Terms: Aboriginal Title in South Australia, Ed: Shaun Berg, 2010
book review, Michael Kirby, NSW Law Society Journal

Kaurna Native Title announcementdeterminationcourt document, 2018
arty fact: the Kaurna Native title agreement is the first native title agreement for land in a capital city

Uluru Statement From The Heart, 2017
Uluru Statement from the Heart Auslan translation (with English captions), SBS

opening statement

The art of gently pulling things apart and carefully putting them back together requires the soft touch of the expert practitioner. There is no intent in this exhibition other than to communicate the realness of the complex lives we live and the joyful but serious experiences which underpin it. It tells us that there is need for all of us to be careful with ourselves and to be careful with one another; all our lives are connected together. This exhibition may well touch each of us differently, but without doubt, no one will leave exactly as they came.

Shaun Berg

artist statement

a playful headshot of the artist and poet indigo eli .. a Caucasian woman with golden brown hair cut with a fringe ... she is wearing a black jumper pulled up at the forearms and a floral & tartan scarf .. she is holding a textile artwork, a wearable document, around her face .. a grey woollen mask that has [sic] embroidered in black letters on the front .. it covers her nose and mouth .. it’s gauze ties pull back to each side where a pair of scissors are held loosely by their points in each fist .. the round handles stand to attention like ears ... her body is turned slightly .. her eyes are cast to the side ... and up

I have had~felt~(imagined?) my mouth shut for the past ten years

my voice … and I
… were pulled down … squashed … preserved . but … dried fruit
put under the carpet … discommunicated

I have been breathing
reconsidering …
slowly . slowly . re.forming .. reinflating

rebuilding . repositioning . remaking
now, 10 years later
I speak again …

[ …

I refuse to let the heavy things steal away my whimsy and wonder at the world.
we do need to stop & think sometimes … to sweep things out from under the carpet … to consider .. & care … to start the conversation … unpick it . or . pick it up from where it once was … & to play

… ]

related document: poet’s manifesto

this collection gathers together 7 works made between 2014 and 2020, some updated in 2023 … poetic objects made by hand & heart … and by a process of consulting ~ creating documents

an object can be a lovely tactile thing … and object can be a verb … sometimes subjects and concepts are too big and intangible to touch upon or gather true understanding … sometimes we feel too scared to speak* … we don’t know what to say … to whom .. or how … or our speaking is shut down … sometimes silence makes us [sic] … and sometimes silence is sacred. I art (as) a means to some understanding; finding ways to examine & explore . to unpack & process .. perceive … shift . positively …. to get an idea ….. land on some deeper meaning …… to communicate ……. to connect

*by ‘speak’ & ‘say’ I mean ‘communicate’
to ‘inquire’ ‘reveal’ ‘disclose’ ‘discuss’ ‘share’ … in any language form, including sign languages

we do not necessarily need to take sides or stuck positions … to agree or to disagree … in our personal, social, professional and community lives … in our local, national, global, and universally connected communities … with sense & senses tuned … to . commonalities . & boundaries … to responsibilities … rights … & resonations … we do need … at times … to have some detailed & difficult conversations

… these works are an offering for consideration

art.works

*ust *ac**t

**.defin**e

*****y

blank** si***c*

**o**g*

burn*** si***c*

****d **o*******. Act.

. .. … …. ….. …… ……… and one for the road so** *round

dust jacket

dust jacket artwork .. a full image of the work ..  a book sits on a wooden book stand on a black surface in front of a white textured wall ... the wooden stand has a mid-range stain, slightly rounded legs and the book rests upon two wooden circles affixed to its front ... the book has been covered with grey woollen fabric ... on the front of this handstitched dust jacket, the word unpublished is stitched in red thread .. the ‘un’ is underlined .. the ‘published’ is covered by a horizontal red stitched cross

.. dust jacket Auslan description ..

artwork description

Collections shelved, these words
they gather dust.

The three poetry collections contained within these bound pages won a publishing competition.

The resultant book was published without a contract or Intellectual Property arrangement in place. Authors were asked to proceed on the basis of good faith.

Despite authors’ exhaustive attempts, before and after printing, the promised contract was never attained.

Up against the publisher’s refusal to negotiate, and to stop selling unlicensed work, the artist found herself in a strange and unfortunate position; having to fight for this book of prize winning poetry to be removed from sale.

dust jacket explores the decommissioned nature of a work (un)published.

dust jacket artwork from above ..  a grey wool-covered book, against a black background ... on the front a red word is blurred by the camera .. the word is covered by a red cross ... all along the top and side of the book the open edge is crisscrossed by repeated red thread crosses .. stitches holding the front and back of the protective cover closed .. the paper edge is visible behind the red threads

symbology … connective threads

dust … covered … dust cover … protect … look after .. love. songs .. love. red .. thread … red . pen … cross … cross … . wrong . mark it wrong . … I’m cross … you’re cross … we’re all cross … you’re a brick wall … why … you’re a brick wall . why . cross it out . . . close the book . . close sales . . keep . selling … why . . stop . selling . . keep . selling .. why … . stop . selling .. . … red . danger … red . damage … red . protect … protect … protect …
red flag

. try to put up bunting .
.. poet, having saved voice, says:
(careful. care.full. carefully) … there’s a fricken’ hole here!

what hole? … carpet is shifted to cover

… worry.worry … others might fall in .. ! please don’t fall in this hole ! .. little poet puts up bunting .. best way she knows how

red crosses bind this now covered and closed book . the poet’s collection … edgy* as it ever was … edge again . tense . want to open .. what’s inside … but you can’t
. surprise . .. what a prize!

unpublished … stitched . free.hand . onto the front … . .. independence .. . .. after escape

the artist stresses the seeming . sense.less.ness . of having a printed collection in the world … stuck in a book she and her words wish not to be . can not be . associated with … one that is not good faith … one that is not legal

… the handmade dust jacket .. settled dust grey .. as with the artist’s collection . though used . remains out of use

in.definite artwork detail ..  a close up of the text in the work ... rounded black letters are printed on a softened white paper background, some letters are much larger than others .. the words read across regardless of size, but the enlarged letters create contrasting words and meaning .. in this cropped section, the words include determination, detention is enlarged from this, and ‘of his rights and obligations’ the word no or not is enlarged from this section .. the edge of the image and text blur

year: 2015

materials: printed and distributed book containing a collection of the artist’s own unlicensed work (artist’s reading copy, containing a paper print.out of her heartfelt thank you speech), Onkaparinga woollen blanket remnant, freehand text, fossicked threads, found wooden stand

dimensions: book alone H: 26 cm W: 24 cm D: 2 cm, bit higher & deeper on stand

exhibitions:
dust jacket was first exhibited in Blankets re-imagined, inaugural group exhibition by h.ART (now Fabrik) in the old Onkaparinga Woollen Mill, SALA Festival 2015

exhibited as part of the 0.2 hybrid exhibition model simultaneously online and in Flower, Fruit, and Flood, My Dear, group exhibition, Part of Things, during SALA Festival 2023

arty facts

*’If we’re going to use quotes from the judge’s report on the cover or back cover … my preference from my section would be: “edgy…” and/or “a mystical journey” and/or “a compelling work that celebrates the danger and excitement of youthful love”’ source: email to publisher, indigo eli, 10 Apr 2013

in Dec 2012 . the poet . and 2 other word.smitten women . won a competition . the poet felt joy .. her first small collection to be published by a long.time.local community she so cherished … a group she had been a member of for 8 years … a group she had helped .. and held … a group she continued to help .. and stepped up . to hand.hold. … all the poet asked for was a clear and simple contract … including copyright license. one was promised … but that promise . and eventually that poet . broken.**

poet’s summary: the publisher refused . to honour the intended terms .. refused . authors access to books .. refused . to stop selling .. refused . efforts to negotiate . a reasonable agreement . a license . the removal of any implied license … kept selling … the poet refused . kept refusing . to accept this

‘I’d ask all 3 of you to be flexible on this agreement business. …In the interim, I would hope that you can have faith in the board to honour the standard existing agreement, and then any replacement agreement that is drawn up.’ source: email from publisher to poets, 18 May 2013

In Aug came word .. the publisher would be looking to reduce author royalties i.e. change the terms … the poet(s) sought clarity on the publisher’s position. ‘As an author I have got to the point where I feel I need assurance that [the organisation] understands it’s [sic] role and promises as a publisher and the legalities of agreements.’ email to publisher, indigo eli, 13 Aug 2023.

‘After the initial excitement of winning the competition it became evident that [the organisation] had no process or standard documents in place to deliver upon the prize being offered. … There has also been a level of aggression at times which seems disproportionate in response to general queries about the process and the timing of milestones … I do not consider the terms need to be confidential as I do not consider such is necessary. I also do not wish to limit my ability to comment upon my experiences or respond to statements that [the publisher/organisation] have made to people in the industry … I think that [the publisher/org] should apologise publicly and in writing for its conduct in this regard.’ email to publisher, indigo eli, 5 Dec 2013

‘…all conditions of this agreement remain confidential; and … you will not speak ill of [the organisation] or any of its officers in relation to [this] Competition or any other matter…’ source: email from publisher to indigo eli, 18 Dec 2013

‘Your offer is not acceptable to me because it imposes a continuing relationship with [the org], there is no acknowledgement of its conduct, and there is no reciprocal position on statements by [the org]. I consider that the proposal I put on IP arrangements was sensible and the book structure allowed each of us to go our separate ways without the need for continued communication. I would like you to reflect on these points and for my earlier offer to be reconsidered. If there are aspects of the offer that [the org] do not agree with it should say which parts and suggest a different approach. In the meantime while the issue is being sorted I suggest that no further books are sold. Until the licence has been formally granted I advise that [the org] have no legal authority from me to sell further works, and to the extent such has been implied in the past I withdraw such implied authority.’ email to publisher, indigo eli, 20 Dec 2013

.. in reply the publisher refused to negotiate . to offer suggestions . stated they ‘reject[ed the poet’s] attempt to revoke licence’ and . referred to her as ‘having the good fortune of winning the competition’: email 21 Dec 2013. The competition was merit based; collections chosen by a blind judging process. There was no clear statement about the copyright ownership or the licence arrangements for the publisher to publish the book in the draft ‘standard agreement’ . a license for publishing the poet’s work was never attained.

the poet was ostracised … personal attack, rumour & community compliance did what they do … she entered rooms that went instantly silent … the poet sat in the heavy silence … sat unspoken . with.in the unspoken . and mis.spoken … sat at stages of broken.ness & bile … til she felt sic .. could bite her tongue no longer … til words like ‘silence’ & ‘condones’ started spewing out her mouth … the poet caught herself
… the poet left .
‘I have had to remove myself from the live poetry scene for my emotional health – a halt to performances and attendance at events (including those run by my organisation)’.
email indigo eli to her lawyer, 10 Mar 2014

the poet tried to negotiate with the publisher . to legitimise this book . until Feb 2014 … In March .. 1 year and 3 months after winning the competition .. she stopped. She and her lawyer offered a different approach.*** … In May 2014 … she was finally free

the poet refused to be silenced . spoke up . shared her story .. advocates for artist rights awareness . and professional conduct .. in the hope of educating … and preventing this type of situation happening to others

the poet still feels rooms shift when she enters poetry or writing events in her home town . eyes look away .. endure . un.comfort.able people . making un.comfort.able comment . no comment . shallow small talk . silence . ……. sigh.length.s…….. . she rarely dares~puts herself through such a thing .

‘A person must not, in trade or commerce, engage in conduct that is misleading or deceptive, or is likely to mislead or deceive’. Section 18, Schedule 2, Competition and Consumer Act 2010

The common law tort of ‘passing off’ protects a person’s business reputation and goodwill. It prevents against misrepresentations of connection or association … something that can cause confusion to consumers and the public. source: letter Berg Lawyers, 21 Mar 2014

related documents

Competition and Consumer Act 2010, Commonwealth Act, AustLII
What is a tort?, Australian Law Reform Commission

***NP18 ‘divorce papers’ , signed undertakings
**breaking up, indigo eli

Falling without Floundering: an artist’s guide to conflict resolution, indigo eli, Aust. Society of Authors


index

in.definite

in.definite artwork detail ..  a close up of the text in this work ... two sizes of rounded black letters lay on a softened white paper background .. the words read something as one .. but some letters have been enlarged to create contrasting words and meaning .. this snapshot shows us determination ~detention~ of his rights and ~not~ obligations .. the edges of the image and text blur

.. in.definite Auslan description ..

artwork description

in.definite explores the relationship between the human right to liberty and fair trial … and the laws regulating the treatment of asylum seekers and refugees in Australia. The work contrasts Article 10 of the Universal Declaration of Human Rights (UDHR) with Al-Kateb v Godwin & Ors, a High Court case which decided that indefinite detention of a stateless person was lawful under the Australian Constitution.

The decision is regarded as controversial . edgy . split .. … 4 of the debating law people argued yes it is lawful … 3 others disagreed .

Ahmed al-Kateb arrived in Australia without a visa … he applied for a temporary visa … was not granted the visa … then he asked to be removed from Australia. Australian authorities tried to remove him from Australia … until then he was put in mandatory detention. Being stateless (no citizenship, belonging to no country), and without international co-operation, there was no where to send him … no solution … no where to go.

On my read, the Migration Act 1958 hadn’t considered what to do with a stateless person … Section 196 doesn’t seem to offer an out … just a test he couldn’t pass … can he be removed, deported or granted a visa … no? … so we must detain him? … until he can tick an impossible box? … can he be removed, deported or granted a visa … no? … and so Al-Kateb . stuck . … in detention … in the migration zone … no end . no relief . in sight.

plainer english: some people who come to Australia are put in detention centres … like prisons . not very nice places … this process is part of the admin … people living through the paper.work of Australia’s migration law … these people can not leave … they have not gone to court and been found guilty … they are just held . locked away .. as part of the paperwork process .. until they are moved one way or another … may be allowed to stay in Australia … may be sent to another country … or back ‘home’ . if they have one .. maybe home is not safe .. not home .. not there anymore … they might not know . when . they will be moved .. or let out .. or where they will go .. or be put . next .

… the universal human rights say that all people have the right to freedom … and to a fair court process to decide on any punishments for any wrong doings

… the court’s decision says that human beings can be held in this stuck situation … held ‘indefinitely’ … for any amount of time .. perhaps . forever. and ever … until they die

. .. some people think that is not right .. not just .. not fair .. not law
. .. … some people argue that thinking in the high court

in.definite artwork ..  a full image of the work ... a thin rectangular horizontal black frame is itself framed by the black surface it is resting on and the white textured wall behind .. inside the shadow box frame is black text on a white background .. some of the text is reflected in the black surface below   ... inside the frame, Article 10 of the Universal Declaration of Human Rights is printed .. there are several off-centred lines of text .. some letters are enlarged to form new words from within the text .. the enlarged letters read: refugee detention no trial .. in the bottom right of the frame is a strip of text, a citation of a legal case: Al-Kateb v Godwin & Ors (2004)

symbology … connective threads

soft .. here .. in this work .. is subtle … round.ness .. edges .. letter . print .. paper . layers .. tracing . paper … on . which . the human . right . is printed … the hours … so . many . many . hours … thought.full.y spent … care.full.y spent .. trying . re.try.ing . print.ing . stick.ing . re-print.ing . re-fitt.ing . .. re-try.ing to . try to . .. get this . seemingly simple . work .. to look right … to fit right …. to sit right ….. and to stay that way

.. gunmetal grey . shadow.box. frame … metal box … black & white .. admin .. process .. paper.work .. stark . contrast .. contra.dict.or.y . doc.u.ments .. what.you.meant.s … unlawful … alien … im.person.al … in.human.ness … unlawful? … lawful? … awful … un.l.awful? … law.full? .. law . fool? … in.alien.able … but … can we do this . no .. can we do this . no .. can we do this . no … ??? … .. . can we do any.thing . but spin

… round & round .. migration . merry.go …. .. no . merry . no round . no . go . … no . mini.stir. tick .. no. tick.able box …

un.tick.able tests .. on a piece . of paper .. paper . law . people . law . paper . people . law . law . people . playing ball .. in the courts .. law . paper .. scrunched . un.scrunched .. read . red . re.read .. which law . this law . that law . nation.al .. inter.nation.al .. yes . no . yeah . nah … in the courts .. playing ball . or . paper . boats . leak.ing . boats . or . playing law .. an oar … heavy going .. going .. not . going … need a break … stop .. relief … when relief … when … released .. from the loop.ing . law .. loop.hole .. mean.while …

human . humans
have fallen
. in .
. to .
a gap
..[are trapped]..

there’s a hole . in the law … which . law . which . or … which justice .. which just.is … paper .. people . purpose . courts. and sorts …

consider
… people .. held .. by paper .. just . paper … just? is it .. our paper … our people .. our purpose …
be.hold .. this . being . held

in.definite artwork on display ..  a full image of the work viewed from the side, a horizontal rectangular dark shadow box frame with text inside, black on white ... the frame is hanging on a wire mesh wall ...  the rounded font reads (Article 10, UDHR) everyone is entitled in full equality to a fair and public .. the words trail off to the right .. within the printed article letters have been enlarged and form another message: refugee detention no trial .. reflected in the frame’s glass are the faces of several people audiencing the work .. a woman with short hair and glasses looks up to consider the work .. a younger woman with long hair stands behind her, an arm upon on her shoulder

series of 5

year: 2014

materials: paper, foam, print, text UDHR Article 10: ‘Everyone is entitled in full equality to a fair and public hearing by an independent and impartial tribunal, in the determination of his rights and obligations and of any criminal charge against him’, legal case citation: Al-Kateb v Godwin & Ors(2004) 219 CLR 562, visual and/or concrete poetry depending on your definitions, metal shadow box frame

dimensions: H 16cm x W 39.75cm x D 4cm

exhibitions:
in.definite was first exhibited in Thirty Rules to Live By, group exhibition by ARTillery SA, SALA Festival 2014

exhibited as part of the 0.2 hybrid exhibition model simultaneously online and at Prompt Creative Centre during SALA Festival 2023

arty facts

‘The Universal Declaration of Human Rights, adopted by the UN General Assembly in 1948, was the first legal document to set out the fundamental human rights to be universally protected.’ source: ohchr.org

The UDHR has a world record for being the most translated document in the world. It has been translated into several sign languages. Auslan? Not yet! You can submit a translation of the UDHR for consideration … how? here

‘The legal definition of a stateless person is someone who is “not recognised as a national by any state under the operation of its law.” Simply put, this means that a stateless person is someone who does not have the nationality of any country.’ source: unhcr.org

Australia’s Migration Law on Duration of detention . Section 196 (1) . states that ‘An unlawful non-citizen detained under section 189 must be kept in immigration detention until: (a) he or she is removed from Australia under section 198 or 199; or (aa) an officer begins to deal with the non-citizen under subsection 198AD(3); or (b) he or she is deported under section 200; or (c) he or she is granted a visa.’ source: AustLII

Ahmed al-Kateb was eventually released from Baxter Detention Centre, near Port Augusta in South Australia .. he was later ‘issued a card carrying the words, “Permitted to remain in Australia indefinitely.” … “My thinking is confusing,” he admits. “Wow, I have a country now. I have somewhere to stay. I have a home. But I remember these things that happened to me. These things will not go just because of the paper.” He is too relieved to have this card in his hands to be perturbed – as his lawyers are – by the obvious error on its face: “Nationality: Kuwait.”‘ .. more of his story here, source: The Sydney Morning Herald

‘The Australian Human Rights Commission sought to argue for Al Kateb to be reopened in the high court in 2019 … In its submissions the AHRC argued that the obligation in the Migration Act to remove someone “as soon as reasonably practicable” operates as “a restriction on the duration of detention”, adopting the minority view in Al Kateb that detention is no longer lawful after that time.’ source: The Guardian

“Degree of harm is directly related to length of time spent in detention and so therefore, there is a health obligation to minimise the time spent in detention.”

Dr Peter Young, source: The Guardian

Said Imasi, a stateless man with no identity documents, was released from Villawood Detention Centre in May 2023 .. after being detained in Australia since arriving as a teenager in 2010 … for 13 years. ‘It comes after several applications for protection visas, a series of attempts to verify his identity, and a High Court challenge. The circumstances surrounding his release have not been made public, but independent MP Allegra Spender, who broke the news of Mr Imasi’s release in a social media post … suggested it was a ministerial decision.’ source: SBS News

Australia’s immigration detention system has been ‘criticised by the UN as illegal in international law.’ source: The Guardian

Seeking asylum is a human right. source: Article 14 of the UDHR

It is not illegal to seek asylum in Australia, even by boat. I read similar clearly put words in March 2019, in a book by Julian Burnside … .. . while sitting on the ground listening to a session with Ben Quilty at Adelaide Writers Week about a journey (with writer Richard Flanagan) and refugees and children and drawings . and Home: Drawings by Syrian children, a book . .. … a book, which I don’t currently have to hand, so I reference this quote: ‘Asylum seekers do not commit any offence by coming here.’ Julian Burnside, source: The Sydney Morning Herald

‘Refugees are not criminals and to treat them as such is, in itself, contrary to the law’. source: words of Gillian Triggs, President of Aust. Human Rights Commission, Research Gate

Everyone has the right to liberty and a fair trial. source: Article 10 of the UDHR

‘Gillian Triggs, in a speech on the Australian Human Rights Commission’s report on the immigration detention of children, stated: Australia’s immigration laws are exceptional. No country in the world … mandates the indefinite detention of children as the first policy option and then denies them effective access to the courts to challenge the necessity of their detention over months and even years. … Under the Convention on the Rights of the Child, a child may be detained only as a last resort.’ source: Research Gate

‘Indefinite detention, in poor conditions without effective access to appropriate medical care, education or supervision by the courts, amounts to arbitrary detention contrary to the most ancient common laws that prohibit detention without trial, including the Magna Carta signed 800 years ago this year [2014]. source: Gillian Triggs words, Research Gate

The last refugee being held by Australia on Nauru was evacuated on Sat 24 June 2023. People may have shifted. Policies have not. source: The Guardian

‘At least 12 children born in immigration detention are stateless, and may be denied their right to nationality and protection.’ Source: Gillian Triggs, 2014

update:

In Oct 2023, a new group of asylum seekers were sent to Nauru. This marked the first transfer there in 9 years. source: The Guardian

in Nov 2023, nearly 20 years after the precedent set by Al-Kateb, a High Court challenge saw indefinite immigration detention ruled unlawful.

source: Kaldor Centre for International Refugee Law

related documents

What are Human Rights, OHCHR
Universal Declaration of Human Rights (UDHR), OHCHR
British Sign Language translation, Universal Declaration of Human Rights (UDHR), youtube
Article 10 timestamp: 8:54

case: Al-Kateb v Godwin [2004] HCA 37; 219 CLR 562 (6 August 2004), AustLII
The Australian Constitution, (Ch III The Judicature, was of interest to the case), AustLII
Migration Act 1958Section 196 Duration of Detention, AustLII
update: Indefinite immigration detention unlawful: High Court Rules, UNSW Kaldor Centre, Nov 2023
case: NZYQ v Minister for Immigration, Citizenship and Multicultural Affairs [2023] HCA 37 (28 November 2023), AustLII

Peter Young praised for revealing detention’s toll on asylum seekers, 2014, The Guardian
United Nations Convention on the Rights of the Child, unicef Australia
The Forgotten Children: National Inquiry into Children in Immigration Detention 2014 report (includes children’s voices), Australian Human Rights Commission
Forward, President of Australian Human Rights Commission Gillian Triggs, The Forgotten Children
Regulation of Australian Medical Professionals and National Security, Journal of Law and Medicine, Research Gate
Opinions adopted by the Working Group on Arbitrary Detention, United Nations
Australian Human Rights Commission Submission to the High Court, Jan 2019

UN Conventions on Statelessness, UNHCR
Cate Blanchett: What is statelessness? video, UNHCR, the UN Refugee Agency, youtube
Asylum Seekers and Refugees, (who, what, how) Australian Human Rights Commission


index

luxury

luxury artwork .. a close up shot of indigo holding 5 pieces within the soft stretch of her left hand ... she is wearing a black jumper pulled up at the forearms ... on her index finger is a thin silver ring with a silver bauble .. a wrapped threaded bracelet adorns her left wrist with hues of blue white red and gold .. a tartan scarf . dark blue and grey with red highlights . hangs into the shot from her neck ... her right arm is blurred from movement, reaching toward something out of shot ... the 5 works in her hand are small satin purses in ballet slipper pink, made from woollen blanket edging .. draping from some of the purses are doubled white threads

.. luxury Auslan description ..

artwork description

a playful, literal interpretation of Australian GST legislation

Sanitary products are were classified as luxury items and as such incur incurred a 10% tax payable by the consumer

100% luxury!

Individually hand felted cashmere tampons with silk thread. Presented in gilt frame and an assortment of unique handstitched satin purses.

Not for internal use.

luxury artwork full shot ... a textured gold edged shadow box frame sits on cream-white linen .. pink satin purses are laid out in front, woollen tampons with satin white strings are tucked in or spilling out ... in the frame, is one cream-white cashmere tampon, silky strings draping down the deep red velvet background to the bottom of the frame where a white paper label is attached in the right corner .. the text on the label is unclear

symbology … connective threads

.. think cashmere … expensive … hand . made … hand . felted . ooo eer … lovely … lux … luxury ..

.. think . pink . satin . slippers . purses . private . precious . pocketed . provisions ..

do I need to say .. more?

how about we let an Aussie youngin’ offer some commentary … je présente (I present) … anony-mouse in conversation with the artist indi-mouse .. audio recorded upon them first seeing the work

transcript

luxury artwork full shot ... pinky blanket-edge purses are laid on a cream-white linen fabric in front of a a textured gold edged shadow box frame .. in front of the frame 5 pinkish satin purses lay open .. their contents tucked in or spilling out .. fluffy cream-white woollen tampons with shimmering white strings ... in the frame presented on a deep red background is one cream-white woollen hand felted tampon, silky strings draping to the bottom of the frame where a white paper label is attached in the the right corner .. the text is are unclear

luxury in gilt frame
series of 5 each in a unique travel purse

year: 2016 … updated in 2023

materials: cashmere fibre, vintage silk thread, satin blanket edge (Onkaparinga Mill artefact), gilt (gold) shadow box frame, red velvet, piece of text: print on paper .. hand stitched in place

dimensions: Framed: H 28 cm W 22 cm … loose: W 8cm D 5cm ish (varies)

exhibitions:
luxury was first exhibited in Threads of Industry, group exhibition by h.ART (now Fabrik) in the old Onkaparinga Woollen Mill, SALA Festival 2016

exhibited as part of the 0.2 hybrid exhibition model simultaneously online and at Prompt Creative Centre during SALA Festival 2023

arty facts

with legislation . law . paperwork . put in place in 1999 … the GST (the Australian Goods and Services Tax) came into effect . started to do its thing . have people paying tax on goods and services .. in the year 2000

sanitary items such as pads and tampons were taxed as ‘luxury items’ … this became known as ‘the Tampon Tax’

this law instantly became a gendered issue … women’s rights* campaigns and petitions popped up .. like aunty Flo .. pretty regular … and many menstruating folk .. made fun . and art . amid . the fury

*it must be mentioned, not all people who menstruate identify as women

‘health goods’ weren’t considered luxuries … products like sunscreen . toothpaste . condoms .. and viagra

Lots of strange and interesting things were said about the incoming Tampon Tax. ‘Michael Woolridge, the then health minister was forced to apologise after likening tampons to shaving cream .. When put to him that condoms were exempt from GST, Dr Wooldridge also added: “Well, condoms prevent illness. I wasn’t aware that menstruation was an illness.” … De-anne Kelly, a Queensland Liberal described the campaign against taxing tampons as a “Barbie doll issue to intimidate a largely conservative male cabinet”.’ source: ABC News

‘In a major speech on the eve of International Women’s Day [2018], [Tanya] Plibersek described the GST on tampons as a “dumb decision”. … just hours later Tony Abbott said ‘removing the GST from tampons would be a “politically correct” mistake’.’ source: ABC News

update: what became known as Australia’s ‘tampon tax’, which was in place from July 2000, ended in 2018 … 18 years, did our new law finally grow up?

(too cheeky? … then the free bleeding movement might shock … but should it? is your face red red read?)

from 1 Jan 2019, sanitary products have been tax free

‘Federal Minister for Women Kelly O’Dwyer announced that prolonged endeavours to remove the 10% tax, one of the highest taxes on menstrual products in the world, have been “tortured”’. source: Global Citizen

luxury artwork detail ... a close up of the bottom edge of a textured gilt frame with pink satin purse edges in front, blurred by the camera’s depth of field ... inside the frame, in the middle of a dark background, hang two silky white threads .. in the bottom right corner of the frame a torn paper label has been stitched in, it reads : luxury 2000 – 2018

now an historical artefact, the framed piece, updated in 2023, displays the dates when tampons were considered luxury under Australian law

haw haw law … very funny

related documents

A New Tax System (Goods and Services Tax) Act 1999, Federal Register of Legislation
Tampon Tax: Key Quotes from the 2000 Debate, ABC News
Tampon tax to go, with states and territories agreeing to remove GST from sanitary products, ABC news
Tampon Tax Finally Axed in Australia, Global Citizen
Finally! Australia Has Abolished the Tampon Tax … It only took 18 years, Marie Claire
Removing GST on feminine hygiene products, Parliament of Australia
Health Goods, Australian Taxation Office, Aust Govt
Tampon tax gets the chop but GST remains on breastfeeding aids, ABC News


index

blanket silence

blanket silence ..  a black and white image of the artwork displayed outstretched upon a white wall ... a grey woollen face mask has white gauze ties, 2 pulled to each side held by a pair of surgical scissors .. the gauze ties then drape from the scissors grip ... the mask has black text on the front .. [sic] in large letters .. with some smaller indistinguishable letters in between ... pale threads of various lengths drape down from where the ties have been hand-sewn to the side of the mask .. the four fabric ties are each greyed near the mask .. from text perhaps?

.. blanket silence Auslan description ..

artwork description

blanket silence is a wearable document

Lovingly hand stitched and embroidered, blanket silence addresses the secrecy provisions in Australia’s 2015 Border Force Act … and the responses.

The reporting of abuse suffered by those in detention centres became a punishable offence, with health care professionals and other workers potentially facing up to 2 years imprisonment if found guilty. This work explores professional duty of care, ethical tension and legislated silence.

over to our art correspondent anony-mouse, in conversation …

transcript

blanket silence artwork detail ..  a close up image of the work resting on cream linen fabric ...  a pair of silver surgical scissors point down from the top left .. they are gripping two age-stained gauze ties .. on one of the ties some words are visible, printed in black, it reads: 42. Secrecy (1) A person commits an offence if ... the ties are attached to a mask which is laying face down, edges of grey wool rolling over from the front show hand stitching ... the interior of the mask is cotton, a print of purple paisley on white background, fabric which was previously the artist’s pillowcase

symbology … connective threads

¿¡…? que ?…¡¿

… shhhhh … .silence.

… on what . . on that …

¡¿…! que !…¿¡

. .. … doctors . and . medical . professionals … .. . doctors . and . medical . … professionals .. are protesting . on the paper . in the paper . in the street … .. .

their person .. their practice ~~~< torn >~~~ .. between .. hippocratic . hippo.sized. oath and .~!!!~. new law .. ~~~< torn >~~~ . between . mandatory . must . mandatory . must . report . here . in this place … and yet … (t)here . in that place . mandatory . man.da.tore.e . sigh.lence . sigh.length .. legislated . legi.slated . … [silence] … shh! shh! … silence . our silence . this silence . does not . call. does not . calm

… mask … muffle … gag … some.thing . not feel right . in our belly .. the law . our law . has been [sic]? … applied? on the ties . that bind . the law is wanting to tie silence to mouths . muffle . muzzle . medical . masks … medical .. medic … help … help .. hell.p … heal … doctors . health . workers . support? staff . heal . ~< heel >~ . heel.ed .. silence . as mandatory . as detention .. meant to be help.ing .. in some little . big . human way .. doctors . meant to say … when . un.healthy . when … meant to say . when … they see it .. meant to say .. meant to say … meant to say
not okay

blanket silence artwork detail ..  a black and white image of the work .. a section showing the gauze ties stretching out from the right side of the mask ... the gauze ties .. made from one long piece .. are attached along the side of the grey wool mask with hand stitches that blend in with the white fabric mesh over the dark grey .. the ties pulling away from top and bottom of the mask to the right .. have black text attached .. this close up reveals that the words are printed on transparent paper that has been sewn on to the ties .. the words blur off to the right .. the shadow of the ties is pronounced and textural underneath ... the top tie reads: (b) the person makes a record of, or discloses, information; and (c) .. the bottom: Penalty Imprisonment .. 2 years.

year: 2015

materials: textiles: grey woollen blanket (Onkaparinga Mill artefact), pillowcase (artist’s own, op shopped, worn, torn, used for other uses), gauze, thread, text (on ties): source Australian Border Force Act 2015 (NO. 40, 2015) – Sect 42 secrecy provision ‘Secrecy (1)  A person commits an offence if: (a) the person is, or has been, an entrusted person; and (b) the person makes a record of, or discloses, information; and (c) the information is protected information. Penalty: Imprisonment for 2 years.’, surgical scissors (as found), text (on mask): concrete poetry, the artist

dimensions: H: 25 cm W: 97 cm D: 5 cm (on wall)

exhibitions:
blanket silence was first exhibited in Blankets re-imagined, inaugural group exhibition by h.ART (now Fabrik) in the old Onkaparinga Woollen Mill, SALA Festival 2015

exhibited as part of the 0.2 hybrid exhibition model simultaneously online and in Remake, group exhibition, Pepper Street Arts Centre, during SALA Festival 2023

arty facts

The Border Force Act, which came into effect in 2015, made it ‘a criminal offence for anyone working for the Immigration Department to reveal publicly anything that happened in a detention centre’. source: ABC News … It included a section entitled ‘Secrecy’. source: Section 42, Border Force Act 2015

‘This legislation is antithetical to a society that professes to be a liberal democracy where independent scrutiny of, and protection for those who lift the veil on human rights abuses ought be the norm.’ source: Greg Barns and George Newhouse, ABC

doctors and health professionals were protesting … in action …

‘We have advocated, and will continue to advocate, for the health of those for whom we have a duty of care, despite the threats of imprisonment, because standing by and watching sub-standard and harmful care, child abuse and gross violations of human rights is not ethically justifiable.

If we witness child abuse in Australia we are legally obliged to report it to child protection authorities. If we witness child abuse in detention centres, we can go to prison for attempting to advocate for them effectively. Internal reporting mechanisms such as they are have failed to remove children from detention; a situation that is itself recognised as a form of systematic child abuse.’ open letter, detention centre staff

‘Psychiatrist Peter Young said public interest disclosure laws were limited in scope. “What this act does is prevents any health workers who are working in detention centres from carrying out their normal professional activities, such as collecting data and presenting it at academic and professional forums – it criminalises it,” source: The Guardian

… on paper …

‘As organisations representing Australia’s health professionals, it is inconceivable to us that the Government should seek to gag our ability to advocate strongly for our patients.’ source: co-signed media release

on the streets … some with tape stuck . or hands held . over their mouths …

‘Psychologist Nicholas O’Dwyer ​said he did not usually attend protests but the the law was “draconian” and stopped health workers doing their jobs properly. “It’s a gag law,” he said. “It seems to me it contradicts The Hippocratic Oath of medicos not to be able to report on the welfare of their patients. It’s unbelievable in the 21st century.”‘ source: Sydney Morning Herald

The Medical Board of Australia’s code of conduct contains a health advocacy clause, which requires doctors to “protect and advance the health and wellbeing of individual patients, communities and populations”.

first in the silence makes [sic] series, blanket silence was made at a time when masks were overtly medical … before the pandemic that re.fashion.ed our faces

#Silence, as mandatory as detention., indigo eli, tweet 30 Jun 2015
having to hold back tears so as to keep making art with this pointed needle #silencemakesmesic, indigo eli, tweet 12 Jul 2015

… aside, RIP Twitter and the little blue bird …
indy100 (& the artist) give a hat-tip to WWF’s creative response July 2023

sic or [sic] comes from Latin, meaning ‘thus’, ‘just as’ … ‘just as’ it was written . or produced .. in the source text. [sic] ‘indicates that the quoted matter has been transcribed or translated exactly as found, complete with any erroneous, archaic, or otherwise non.standard spelling, punctuation, or grammar. It also applies to any surprising assertion, faulty reasoning, or other matter that might be interpreted as an error of transcription.’ source: Wikipedia

‘it’s not unusual to see [sic] in research papers. It is also fairly common in academic journal articles.’
source: YourDictionary

sic is, also, a Scottish word meaning ‘such’, source: grammarly

apology artwork .. a full image of the work ..  a thin wooden vase of paper flowers sits to the right of frame on a black surface in front of a white textured wall ... the wooden vase has circular markings along its short conical base that straightens into a tall cylinder with notches up its spine .. this vase was once a wooden wool bobbin .. a tag, thin and rectangular, has been affixed near it’s base .. on it, some indistinguishable text ... the tag, with a hole punched in one end, is tied to the vase by twine ... at the top of the vase, long thin wire stems fan out holding a bunch of crisp folded paper flowers formed from book pages. From right to left their faces point out toward the viewer . point up . tilt to one side or another . face the viewer . until the three on the very left tilt face down on slightly curved stems ... some flowers have round blue fabric buttons at their centre .. some have a hint of red thread instead ... on the wall, between the flowers and the base of the vase, are sprinkled shadows .. these shadows from the flowers form a loose arrow shape near the base of the work .. towards clearer star-like shapes at the top

que is a word that can mean many things .. sometimes has an accent .. on the é
.. to my mouth~my ear, que is an aural question mark … when I say it it sounds like a shortened ‘care’ with an upward lift … qu-e? … k-air?

.. most likely I’ve absorbed it into my spoken vocabulary from somewhere . French lessons perhaps . .. I can’t seem to find an exact audio on the interweb, the closest I hear is a Latin American Spanish one .. . perhaps my mouth has . shifted it somewhat

after playfully adding to my symbology script what I could only form into word~letters as ‘que’, I looked it up for us …

que can mean: ‘that’ ‘which’ ‘what’ ‘who’ (French, Portugese, Spanish), the musical note C .. (?) .. and the universal quantifier symbol (∀) .. (?) … which interestingly means ‘for all ‘ or ‘for every’, source: Definitions.net . which includes a summary of definitions . from chatbot GPT . so make of that what you will. I cross-referenced: … the musical note C .. led me not to any clearly sign.posted connection, but to Doris Day · Frank DeVol & His Orchestra, With a Smile and a Song, on: youtube (no need to not read the comments .. perhaps* the opposite), … the universal quantifier ∀, via: Brittanica and more, for my future reading it seems, no explicit ‘que’ connection from my skim and further searchings .. for now . we note it . and the *’latin for lovers‘ reference … what is que in latin . ? . i wonder .. look up for later .. save . shift back . carry on … 31.7.23

que from my mouth, I’ve realised, sounds like the start of the French qu’est-ce que c’est … ‘A phrase that can be literally translated as, “What is this that it is?”’ source: FluentU … I may have shortened it … what my mouth might be offering is ‘ qu’e…..? ’ 10.8.23

The United Nations postponed a planned visit to Australia because the federal government could not guarantee legal immunity to detention centre workers who discuss asylum seekers and migrants. source: Sydney Morning Herald

‘The trauma of offshore detention does not discriminate … All who exist in that environment, as jailed or jailer, are scarred.’

words of hired trauma expert Paul Stevenson source: The Guardian (content care)

update: Australian doctors launched a High Court challenge to the secrecy provisions in the Border Force Act in 2016

‘Meghan Fitzgerald, a lawyer with the Fitzroy Legal Service, said the case would question whether the act’s secrecy provisions breached a health professional’s constitutional freedom to engage in political communication. source: Pro Bono Australia

‘Australia may not have a bill of rights which upholds freedom of speech but lawyer Meghan Fitzgerald, from the Fitzroy Legal Service says that right is implied in the Constitution.’ source: ABC

‘The heads of the Immigration Department and the Australian Border Force say it’s incorrect and misleading to suggest the Act prevents individuals speaking out on public interest issues related to immigration detention centres. They reject claims the Act criminalises whistleblowing. But [Doctors for Refugees convenor] Dr Phatarfod says the Act still discourages doctors from speaking out.’ source: ABC News

“Australians have a right to know the damage that is being inflicted in their name on innocent people, including children.” Dr Phatarfod

‘The Australian Association of Social Workers welcomed the High Court challenge. National president Professor Karen Healy AM said … “Social workers are professionally, ethically and morally committed to advocating for the human rights of the people for whom they work. This legislation not only undermines this but is also in direct breach of our duty of care.” source (this and previous paragraph): Pro Bono Australia

‘No one has yet been prosecuted under the Border Force Act, though some medical professionals have been investigated … Others (like Paul Stevenson) have been summarily sacked for voicing concerns publicly.

‘Anecdotally, the law has had a chilling effect on people being prepared to speak out.’ source: The Guardian

update: ‘Doctors for Refugees’ case … response …

The Immigration Dept ‘removed restrictions on health care workers speaking out’ in Sept 2016  source: Sydney Morning Herald. The case by Doctors for Refugees was withdrawn. source: Kaldor Centre

blanket silence artwork detail ..  one pair of silver surgical scissors rests on linen fabric ... an edge of the grey woollen face mask is barely visible in the top left corner... the scissors are most prominent in the centre of the image, their pointy end pointing up into the top right, a trail of cream gauze ties in their grip .. the tie flows across from the grey mask on the left .. to the tip of the scissors .. around the left of them then down over their tarnished silver body and off out of sight to the right

This ‘means the secrecy and disclosure provisions of the Border Force Act no longer apply to a comprehensive list of health professionals including doctors, nurses, psychologists, psychiatrists, counsellors, midwives, pharmacists and dentists. Other professionals working in onshore and offshore immigration detention, including teachers, lawyers, security staff, social workers and other staff, have not been exempted from speaking out. They still face a jail term of up to two years for any “unauthorised disclosure”.’ source: The Guardian

In Oct 2017, an amendment limited the scope of the offence by replacing the broad definition of ‘protected information’ with specific categories. source: Kaldor Centre

‘That the Government, with its massive legal and financial resources, could be forced to back down on its dearly held policy by a group of politically naïve doctors, armed only with our AHPRA Code of Conduct and assisted by a community legal centre, speaks volumes as to the paper tiger it really is. … It also reinforces the power that doctors hold when we stick to our core tenets. … so now we face a choice: step up together, or be part of the shameful history that did and said nothing.’

source: Doctors for Refugees , Australian Medical Association NSW

related documents

secrecy provision (Section 42) of Australian Border Force Act 2015 (NO. 40, 2015)
What are the secrecy provisions of the Border Force Act?, ABC news
Border Force Act: Detention Secrecy just got worse, ABC
Border Force Act entrenches secrecy around Australia’s asylum seeker regime, The Conversation,

Good medical practice: a code of conduct for doctors in Australia, Medical Board Aphra
Open letter on the Border Force Act: ‘We challenge the department to prosecute’, co-signed open letter,The Guardian, 1 July 2015
Hundreds of doctors and health workers rally in Sydney against Border Force Act secrecy provisions, Sydney Morning Herald
As the pictures show, the Border Force Act has opened a new health front for the Government, MEDAXS
Australia’s health groups call for Australian Border Force Act to be amended, co-signed media release 15 June 2015, source: Australian Psychological Society
Australian Border Force Act Conflicts with Code Of Professional Conduct for Nurses and Midwives, media release 19June 2015, Australian College of Nursing
Psychologists call for a bipartisan approach to end off-shore processing, media release Feb 2016, Australian Psychological Society

Doctors for Refugees, Australian Medical Association (NSW)
case notes: ‘Doctors for Refugees, Kaldor Centre for International Refugee Law, UNSW Sydney
Doctors High Court Challenge to Border Force Secrecy, July 2016, Pro Bono Australia
Doctors freed to speak about Australia’s detention regime after U-turn, The Guardian
Australian Border Force Amendment (Protected Information) Bill 2017, Parliament of Aust

Serious allegations of abuse, self-harm and neglect of asylum seekers in relation to the Nauru Regional Processing Centre, and any like allegations in relation to the Manus Regional Processing Centre, April 2017, Parliament of Australia

This is Abyan’s story, and it is Australia’s story, Oct 2015, The Guardian
flowers for ‘Abyan’, 19 Oct 2015, indigo eli
People power for Abyan shows how to stop refugee cruelty, Nov 2015, Solidarity
There are still questions about pregnant refugee Abyan’s treatment. It’s time for an inquiry (includes Abyan’s written statement), 2016, The Guardian


index

apology

apology .. a full image of the work ..  a thin vase of flowers sits to the right of frame on a black surface in front of a white textured wall ... the wooden vase, a repurposed industrial bobbin, has a short conical base that straightens into a tall thin cylinder with notches up its spine .. a tag,  thin and rectangular, with a hole punched in one end, is tied to the vase by twine, on it, some indistinguishable text ... at the top of the vase, long thin wire stems fan out to hold a bunch of paper flowers folded from book pages. From right to left their faces point out toward the viewer . point up . tilt to one side, to the other . face the viewer ... the three on the very left tilt face down on slightly curved stems ... some flowers have round blue fabric buttons at their centre .. some have a hint of red thread instead ... on the wall behind are shadows of the flowers .. organic blobs form a loose arrow shape near the base of the work .. shifting into star-like shapes at the top

.. apology Auslan description ..

artwork description

from the you that is me

Lovingly handfolded from an award-winning poetry collection, the work explores conduct, artist rights, interconnectedness and empathetic exchange

A reflection on relationships, a gesture composed from words that deserved to receive it … apology attempts to transform a bunch of love poems into a sorry that was never said

apology .. a close up detail of folded paper flowers fanned out on thin, dark wire stems in front of a white background ... on the sides of the image, groups of flowers are blurred by the cameras focus .. near the centre, 3 flowers stand tall and clear ... folded from aged yellow book pages, these flowers are small and dense, layered, 3 dimensional .. their petals decrease in size towards the middle .. one has a dark blue fabric button at its centre .. another . the tallest . is centred by stitches of woollen red thread ... snippets of text are revealed on the folded petals, folded pages ... words like: ‘wished’ .. ‘up’ .. ‘true’

poetic symbology … connective threads

the work considers a book … a physical mistake of a thing . that should not exist . and yet does .. an object that is un.author.ised … and transforms it into the material of an apology

love letters . re.formed . become . a symbol . of empathetic exchange . from . a universal perspective

as usual with a bunch of sorry flowers . a tag . is attached . offering a note .. the word sorry is collaged together . letter . by . in.div.id.ual . letter … from within the book

on the other side . of the tag … a cutting . from the back . cover … a note . about the chosen . collection.s .. from the competition judge .. ‘The writing shows rather than tells. The poems plant a seed which gives rise to emotion and a new way of looking at the world. A poetry that strips away layers until you recognize [sic] something you have known deeply but not found reason to articulate.’

this passage . now reflected . in new context … suggests . the need for apology . is something ‘deeply known’ . but something . the publisher . has ‘not found reason to articulate’ … .. . again . in object . as with . her . written . love songs .. the poet plants a seed .. a new way . of looking . at the world .. of … doing the thing . poetry does … the thing . the poetry . was chosen . for doing

this work articulates . .. in new form

… good . will . wrong . doing … gesture .. apology … apologise … bunch . of people … little poet .. punch . drunk … fist . full … bunch . of poems . flowers … friend .. friends … why you . mean .. what you . mean .. why say wrong . things .. why dig in … why won’t you say .. any.thing .. to me .. but
..no..

why .. not .. why . not . say .. sorry … say .. care . you … care . our behaviour … acknowledge . mistake . a long wait .. a long long … weight … not even . hollow one . to save . face … to face . it … community . con.fused . comm.fused .. torn .. tear.ing me .. t.ear.ing me .. why . you . won’t say . you . wrong.ed

.. … empathetic shift
… poor you … how sad … you dig in . you . try to . tear me down … how sad . you … don’t know … don’t care .. what you have done … what . have . you . done … you . do not . know … you . do not . want . to know … the harm .. the deep … how to . not . status quo … how to . do . better … how to . do . business … how to . friend … how to . care … you . do not . know … how to . be . sorry
… poor you … poor we .

. why . down .. why not . choose up .. choose together . to.gather .. choose .. to say .

. .. … … perceptual shift

. .. one . ness .. one.ness … oneness .. .

I . say … .. . k.no.w . .. …

I say .. I am you & you are me … playing . in the star matter … I . ruminate … I . role reverse … we . are . one … and . I . am . you … and I .. up high . up here . up hear . I .  ..   … fold .. enfold . care

… .. . ‘I am the enemy you killed, my friend’ * . .. …

( … sorry)

* Wilfred Owen, from Strange Meeting

apology artwork, detail of the base of the vase . a wooden industrial bobbin from the old Onkaparinga woollen mill . is sat on a black surface with white wall behind ... its conical base is ribbed by evenly spaced carved lines before it straightens into a thinner spindle .. with notches spaced further apart ... its rich colour is both stained and lightened, by age and wear … hanging from the top of the image are two ends of natural twine .. one is looped through a hole in a long rectangular tag ... this side of the tag is shiny, a clipping from the back cover of a book containing the artist’s unlicensed work .. it is edged by softly torn edges from the paper layer behind ... at the end of the tag is an edge of photo, a clipping of grass .. the rest is black text on white ... the poet's right hand is gently lifting the tag to place it .. her thumb covers some of the text ... what is visible reads: The writing sho... tells. The poems plant a seed which gives rise ... a new way of looking at the world. A poe.. away layers until you recognize someth... known deeply but not found reason to art...

year: 2016

materials: pages of poetry collection ‘writing love songs to the moon’ (printed unlicensed, artist’s own words), cutting of book cover including text, source: judge’s speech/report about the 3 chosen collections, wooden dobcross loom bobbin (Onkaparinga Mill artefact), flower wire, natural twine, red woollen thread, blue buttons, poetic perceptions and handiwork

dimensions: H: 46cm W: 23cm D: 23cm

exhibitions:
apology was first exhibited in Threads of Industry, group exhibition by h.ART (now Fabrik) in the old Onkaparinga Woollen Mill, SALA Festival 2016

exhibited as part of the 0.2 hybrid exhibition model simultaneously online and in Flower, Fruit, and Flood, My Dear, group exhibition, Part of Things, during SALA Festival 2023

arty facts

[sic] has been used because the American spelling of ‘recognise’ appeared on the book . not . in the judge’s report

the publisher/organisation has the word ‘friendly’ in their name

*cough* *giggle~snort*

status quo is Latin, it means the way things currently are. It is opposite to: the way things could be.
… some people try to keep things the same … some people push for change

the poet asked the publisher for an apology . during negotiations .
then removed the request from official askings … believing it to be the only possible contentious one
the publisher did not respond to the request for an apology
nor have they … .. . the community . or . individuals involved . .. … offered

the poet however … is a crafty one

apology . detail .. the base of the vase sits on a creamy yellow surface with white wall behind ... its rich colour is contrasted by a creamy white tag hanging down from the vase's side to the right .. this side of the tag is made from a page reclaimed from the book .. it is blank but for one word which has been collaged together from letters carefully cut from the book’s print .. the word rest near the base of the tag ... the letters: so.r.r.y

related documents

NP18 ‘divorce papers’ , signed undertakings
breaking up, indigo eli
Falling without Floundering: an artist’s guide to conflict resolution, indigo eli, Aust. Society of Authors

little.big poet’s manifesto


index

burning silence

burning silence..  a full image of the work .. a hand stitched face mask and filter insert are displayed on a piece of cream linen ...  on the right of the image the white filter sits further back and out of focus .. it has a paper-like cover .. at its centre are 3 red cross stitches and a loose draping thread ... to the front of frame on the left is a brightly coloured face mask resting on an angle ... the body of the mask is formed from reclaimed fabric: blue sky . green palm trees . spots of yellow . white . flying bird silhouettes in the sky .. fabric reclaimed from a Hawaiian shirt ... text has been hand embroidered to its front, vibrant red letters .. [sic] .. with some smaller, indistinguishable letters added in between ... lengths of wavy red ric rac trim are sewn to the mask’s sides to form ties, they drape down from both sides of the mask curving and looping organically as they go

.. burning silence Auslan description ..

artwork description

burning silence is a wearable document

Lovingly hand stitched and embroidered, this work responds to Australia’s Black Summer, is informed by language and messaging from parliamentarians and the public.

It documents a time when questions such as: where is leader? went unanswered by official offices. A time when, for a country in flames, the recycled tourism slogan ‘Where the bloody hell are you?’ became a burning question.

A quote (originally Bono’s words) from the then PM’s maiden speech to parliament is etched by pressure and a little carbon onto the mask’s lining: 

“ … when the history books are written, our age will be remembered for … what we did – or did not do to put the fire out …”.

Cinders from a property (home & artist studios) lost in the Cuddly Creek~Lobethal fires are re-imagined as a charcoal filter.

burning silence ..  this image focuses on the interior of the mask .. sitting upright on a piece of cream linen the mask is facing away, showing its white inner lining ...  red ties hang down from each side to pool together neatly in front ... the filter lays out of focus to the right ... the mask’s body, made from reclaimed Hawaiian shirt, frames the lining with bright blue .. a white flower peeks out from the blue border above the stark white cotton lining .. bold yellows and green feed in from below ... the white lining, attached at the sides and base of the mask, is crisp white cotton .. was once an industrial offcut from a bedding factory .. this lining looks plain . blank . at first .. but closer inspection reveals indentations . with a feint blue.ish tone . what they are is uncertain

poetic symbology … connective threads

. .. … … .. .

ric rac red . alert . red hearts start racing .. tracing … roaring red . .. … flames … .. . red burn .. red blister .. red black

… the pull in . the holding …

cough . cough. choke … who.what.when.where.why . nothing said … where is . spoke.s.person … where is . lead.er??? … why so quiet … [respond . re.spite] .. shh…
shhh…

spoke.n . quest.ions . woken . words . warnings . warmings . working co..umm..unity . respond . pull together . pull the hoses out . pool together . hold together . hope together . soften . hold . find . donate . bate . breath . hold . breath . cry . choke .. ash.air.every.where .. choke . hold . prepare . every little . good think . good do . good plan .. every little make.ship . make.shift . solution .. every little . help . watch . keep watch . leave . stay . leave . grieve . pass . the bucket . the bowl . the hose . the mask . the pow.er . is out . how-err? .. pool .. beach … run … pull . gather . bucket .. buckle … bloody hell!

there’s a hole . in the bucket . dear . .. a hole. in the words .. . a hole . in the plan . .. a hole . in the sky

there is know plan be … how to . be .. doe . ray . me . we . need .. to pluck.up . some . pick.up . some . truck.in . some … pick up the slack . watch back . think back . mind our toes . our woes . grieve. gather
listen . shift

.. hold ..
every . little … helping . singing . singeing . saddening . watch . and keep . watch . do . and keep . do . is doing … we are do.ing … we are finding the lead .. we are . the lead … re.connecting . turning the power back on

we are . hand on broken heart . holding red . h.owl.ing together . weather.ing . whether.ing . learning …

and hold . hold . lean in .. fold in … learn in .. re.make . re.write . re.stitch . re.fashion . re.form

land . care.fully

when stories full the air .. we absorb .. the loss . this loss . our loss .. together

. .. … … .. .

burning silence .. feature image of the charcoal filter on a piece of cream linen . the mask’s wavy red ric rac ties flow across the base of the image from left to right .. slowly blurring as they go ... the filter, sits upright in full focus .. it has a tailor made shape . rectangular . but clipped and curved at the edges . made to fit neatly within the mask .. its main body is formed from non-woven polypropylene fabric reclaimed from a wound dressing .. its sides are crimped and melted shut .. white and cream threads drape from the stitches in its sides ... its body . though white . is darkened by its filling . charcoal . black cinders from a property lost in the black summer bushfires .. the filter's main body is dressed . covered by a thin delicate protective paper sleeve .. its corners each shaped by a run of 5 cream stitches .. this paper joins and is stitched closed front and centre .. one end folds open and is held that way by three red wool symbolic stitches and a draping thread to honour the 33 people directly lost to the fires: x x x...

year: 2020

materials: mask: found and repurposed fabric: blue Hawaiian rayon shirt, white cotton industrial offcut, red vintage ric rac trim, interfacing, threads, disposable mask nose wire, text: pressure-etched quote from S.Morrison’s maiden speech to parliament itself a quote, markings from poet’s pen and carbon paper facing the wrong(?) way

charcoal filter: wound dressing pad (outer and lining), charcoal remains from fellow artists’ home and studio lost in the Cuddly Creek~Lobethal fire, threads, symbolic stitches honouring the lost

dimensions: H 12 cm W 80 cm (at full stretch) D 5 cm or dependant on viewer

exhibitions:
burning silence was first exhibited as part of 0.2 hybrid exhibition model, simultaneously online and in Remake, group exhibition, Pepper Street Arts Centre, during SALA Festival 2023

arty facts

‘2019 was Australia’s hottest and driest year on record’ source: open letter from 446 scientists … ‘In October and November, days of dangerous fire weather conditions affected all States and Territories’ source: BOM report

Bushfires raged across the country … people in capital cities were consuming the hazardous smoke … by December the air in Sydney held levels of pollution so bad they exceeded levels normally experienced in Beijing, and New Delhi. source: ABC

‘Several Australian cities have already been blanketed with smoke during the bushfire crisis in the past few weeks, including Canberra, Adelaide, Melbourne and Sydney, where air quality was rated at its “worst ever” in mid-December. source: ABC

‘the toxicity of the air in some parts of Sydney has gone from smoking half a cigarette, to between four and 10 per day. On Tuesday, the AQI (Air Quality Index) hit 669 — the equivalent of smoking 30 cigarettes.’ source: ABC

second in the silence makes [sic] series, burning silence was made at a time when masks were in high demand . and . short supply .. across the country . because of bushfires

‘Scott Morrison has staged a great escape from Sydney’s bushfire-related air pollution for a family holiday, but his office is tight-lipped on exactly where he is – insisting his whereabouts are “not a story.” … Mr Morrison’s office insists that claims he is holidaying in Hawaii are “wrong” while refusing to disclose his location or for how long he is on leave.’ source: The New Daily

The deputy, saying on Tues he will be acting as the country’s prime minister from Wagga Wagga until Thurs, claimed the regional New South Wales town as the “nation’s capital”. source: The Guardian

‘The prime minister’s office will not confirm whether or not Morrison is in Hawaii. The lack of information or confirmation starts a story hunt.’ … #Wherethebloodyhellareyou and #wheresScotty trends on Twitter in relation to Morrison, including missing posters, as the PMO and McCormack, who holds a press conference, refuses to say where the prime minister is, or even if he is in the country. source: The Guardian

‘No-one begrudges the fellow going on holiday … Where he goes for a family holiday isn’t particularly important but confirming he’s clocked off, when he’s coming back on duty and who’s taken his place is important.’

“I don’t hold a hose, mate, and I don’t sit in a control room,” Morrison told 2GB radio … from Hawaii.

‘Morrison will return to Sydney on Saturday, his office says, two days before the scheduled end of his holiday. His job will not be to hold a hose, but to empathise, to thank emergency staff and to offer any practical help required’. source: ABC News

“I express my sincere condolences and sympathies to the families of the firefighters who have so tragically been killed overnight,” Mr Morrison said in a statement.

“They were bravely defending their communities with an unmatched spirit and a dedication that will forever set them apart amongst our most courageous Australians.’ source: The New Daily

‘“We are completely isolated,” community radio broadcaster Francesca Winterson told ABC Breakfast … “We’ve been broadcasting for 48 hours without a break and we’re all very tired,” she said. “Now we are here in the station and I’m just watching my town burn.” source: The Guardian

‘The escalating fire situation across NSW has prompted a group of former fire chiefs to call for a national summit on bushfire management and climate change, accusing the federal government of being “missing in action”. … “We hope they’ll come, we hope they’ll contribute, we hope they’ll take away the findings and act on them,” Mullins said’. source: The Guardian

‘Part of the reason for the slow commonwealth response is perhaps that no single minister or department, with the possible exception of the Department of Home Affairs, has ownership of planning for a natural disaster on a national scale’. source: The Guardian

In South Australia, The Cudlee Creek blaze in the Adelaide Hills started in catastrophic conditions, killed one person and destroyed more than 80 homes .. at the same time around 5000 homes in the area had no access to electricity. source: ABC … fires burnt almost half of Kangaroo Island and killed two people, source: ABC

Across the nation, the fires scorched more than 24 million hectares, directly killed 33 people, and almost 450 more lost their lives from the effects of smoke inhalation, source: ABC News … one billion animals were killed .. and around 21% of the country’s temperate broadleaf and mixed forests was burnt. source: Climate council

‘The temperature in the stratosphere rose by 0.7 degrees Celsius. Above Australia, it rose by 3C’. source: a study published in Scientific Reports, ABC News … ‘UK researchers have revealed Australia’s Black Summer bushfires likely damaged the ozone layer and caused the highest temperatures in the stratosphere in 30 years’, source: ABC News

‘NASA is predicting smoke from the country’s devastating bushfires will make it all the way around the world’

2019 ‘was the Earth’s second hottest since records began, and the world should brace itself for more extreme weather events …

“We can raise a red flag now.”‘

World Meteorological Organisation scientist Omar Baddour, source: ABC News

‘One in ten infants and children affected by the fires is Indigenous … Many non-Indigenous land-owners in the fire-affected areas face the difficult decision of whether to stay and rebuild, or sell and move on. Traditional owners, on the other hand, are in a far more complex and unending situation. … Clearly, Aboriginal people have unique experiences with bushfire disasters, but Aboriginal voices have seldom been heard in the recovery processes that follow. … Aboriginal people need to be part of the broad conversation that bushfire decision-makers, researchers, and the public sector are having.’ The Conversation

Communications about bushfire preparedness are often not in accessible formats. source: The Conversation

“English is a second language for most Deaf people and in a stressful emergency situation the likelihood of miscommunication is compounded” Deaf Australia President Ann Darwin. source: Deaf Australia

‘During emergencies, Deaf people often miss out on information because there is no interpreter on TV or the TV station crops the interpreter out.’ … said Ms Darwin, “All state governments need to get ready now and make sure that lives are not lost as a result of poor communication.”’ source: Deaf Australia

‘Advocates say news organisations frequently crop interpreters out of shot which can put the deaf community in danger’ source: ABC News

‘For hearing people, figuring out the seriousness of a situation is as easy as turning on the radio or TV, but [Gavin] Balharrie and his wife Trisha didn’t have that option.’ They were in Mallacoota ‘with a bushfire raging towards the town, and no idea if they should stay or leave.’ … ‘I don’t think we were quite cognisant of how serious the situation was until we got that information in Auslan.”’ source: The Guardian

‘Auslan interpreters and captioning, they must go hand in hand.’ source: The Rebuttal

the fires were un.expected and un.fathom.able … but not completely …

‘Despite a scientific assessment in August warning of a dire outlook … There appears to have been little appreciation at the executive level of just how horrific the bushfire season was predicted to be. source: The Guardian

‘some who sought to warn the federal government early, such as the former NSW fire chief Greg Mullins, felt they were fobbed off by the federal government.’ source: The Guardian

‘Mr Mullins … renewed his calls for the government to take urgent action to address climate change and stop Australia’s rising emissions.‘ source: ABC News

the community responded … the world responded …

Celeste Barber encouraged donations that reached a record breaking $51 million. source: ABC

‘Devastated … and determined to do something to help, actor and writer Magda Szubanski joined forces with an unlikely partner, teenager Will ‘Egg Boy’ Connolly. Together the odd couple raised nearly $200,000 which after careful research they directed into art therapy classes for bushfire survivors in the Snowy Mountains region.’ source: Australian Story

“It’s that deep need to connect. It’s that moment when all human pretence just drops away and you’re just of a couple of people, one who’s been through something really hard, and another who hopes they can do something to help.” words of Magda Szubanski, ABC

The phrase ‘I don’t hold a hose mate’, coined by our then PM, has entered the Urban Dictionary

‘”Certainly, that wasn’t a comment at the time that was helpful, of course,” he said.’, source: ABC

burning silence artwork detail .. the blue face mask lays face down on a piece of cream linen .. the artist holds the back of the mask open .. from this angle, the printed silhouette of 3 birds can be seen on its front .. wavy red ric rac ties flow out to the sides ... the artist's hands reach down from the top .. delicately holding the mask's lining open to reveal the hidden inside ... pale carbon-copy blue markings are visible on the white cotton . the text is unintelligible .. on this back side the text appears like a mirror image .. written in reverse

Smoke from the Black Summer bushfires … affected 80 per cent of Australia’s population, source: ABC News

Supplies of masks capable of filtering the dangerous smoke particles in the air … ran low . ran out … community efforts were made to get forgotten masks from people’s sheds and cupboards into the fire zones .. to the faces of those people facing the worst

P2 masks were accessed from the National stockpile to help cope with the need. source: then Minister for Health and Aged Care

At the time of the Cuddly Creek~Lobethal fires, the artist was 30-40 km away, West of the city, choking on the smoke that had crept in unopened doors .. while endlessly watching the fires creep across the CFS incidents & warnings page … watching .. hoping .. that the weather did not shift toward people she knew might be in its potential path .. people who might get stuck

Australia is part of the Paris Agreement we have ‘a commitment to pursue efforts to limit warming to 1.5°C above pre-industrial levels, which would significantly reduce the intensification of Australia’s bushfire risk along with many other climate change risks. The current emission reduction targets of Australia and the world are insufficient’, source: open letter from 446 scientists

related documents

Life in the Big Smoke, ABC News , 11 Dec 2019
‘Where’s the Prime Minister?’: Mystery surrounds Scott Morrison as he takes a holiday, The New Daily, 16 Dec 2019
PM issues ‘deep regret’ and will return to Australia from Hawaiian holiday, The New Daily, 20 Dec 2019
Prime Minister Scott Morrison pulls pin on Hawaii family holiday, but the damage is already done, ABC News, 20 Dec 2019
VIDEO (with Auslan): Scott Morrison apologises for Hawaii holiday during bushfire crisis, ABC News, 22 Dec 2019

Adelaide Hills bushfire kills person at Charleston, 15 houses destroyed, ABC News, 21 Dec
Kangaroo Island scorched with ‘unprecedented’ ferocity by bushfires as CFS saves township, 10 Jan ABC News

Mallacoota fire: images of ‘mayhem’ and ‘armageddon’ as bushfires rage, 31 Dec , The Guardian
Where the bloody hell was he? How Scott Morrison spent the past week of the bushfire crisis, 3 Jan 2020, The Guardian
Morrison’s government on the bushfires: from attacking climate ‘lunatics’ to calling in the troops, 4 Jan 2020 The Guardian

‘This crisis has been unfolding for years’: 4 photos of Australia from space, before and after the bushfires, The Conversation
State of the Climate reports, CSIRO

Morrison Maiden Speech to Parliament
which just happens to be the same day as the apology to the Stolen Generations
Bono’s speech, National Prayer Breakfast, Washington DC
So where the bloody hell are you? Tourism Australia advert
with transcript

Ten impacts of the Australian bushfires, The United Nations Environment Programme, Jan 2020
There is no strong, resilient Australia without deep cuts to greenhouse gas emissions An open letter on the scientific basis for the links between climate change and bushfires in Australia, 446 co-signatories, Feb 2020
The Summer of Crisis report, Climate Council, Mar 2020
Royal Commission into National Natural Disaster Arrangementsfinal report Oct, Aust Govt
Bushfire royal commission’s final report issues warning to Australia over climate change, ABC News

Deaf community encourages Australians to learn basics of Auslan amid dangerous fire season, ABC News
Auslan interpreters save lives in bushfires, but only if they make the TV screen, ABC News
What About Me!??, The Rebuttal
Bushfires, floods and the COVID-19 pandemic put Auslan interpreters in the spotlight, ABC listen (audio with transcript)
Deaf and hearing-impaired welcome moves to inclusiveness but say more is needed, SBS News

Emergency Management Diversity and Inclusion Framework, Emergency Management Victoria

First all-Indigenous NSW firefighting crews protecting sacred sites, remote communities, 13 Jan 2020, ABC News
Aboriginal Community Governance on the Frontlines and Faultlines in the Black Summer Bushfires, Bhiamie Williamson, Centre for Aboriginal Economic Policy Research, 2022
seminar video with captions
Bushfires disproportionately impact Indigenous Australians, Aust National University
1 in 10 children affected by bushfires is Indigenous. We’ve been ignoring them for too long, The Conversation
Fire management needs to ‘build from Aboriginal knowledge’: author, The Age
‘We could have helped’: report exposes racism during Black Summer bushfires, National Indigenous Times

The Paris Agreement, our legally binding international climate treaty to substantially reduce global carbon emissions, 194 signatories, United Nations
Climate Action Fast Facts, United Nations
17 Goals to Transform our world: Sustainable Development Goals, United Nations

Unlikely partnership between Magda Szubanski and ‘Egg Boy’ helping to heal bushfire-hit communities, ABC News
VIDEO: An Unlikely Match | Magda Szubanski + ‘Egg Boy’, Australian Story, ABC video & transcript
Celeste Barber on $51m bushfire fundraiser: ‘It broke my heart that it didn’t fix everything’, ABC News
Two years on, bushfire victims are still recovering and rebuilding, ABC News

Creative Recovery: After Bushfire, Fabrik (in the former Onkaparinga Woollen Mill, Lobethal)
charcoal drawing with no name, Belinda Broughton
echidnas don’t live here anymore: poems of loss and recovery since the Black Summer Bushfires, Belinda Broughton
The Arts Can Help us Recover from Disasters – Creatively, Pursuit, University of Melbourne

and a Loren Kate track indi woke up singing in her head and played on repeat, from the morning of 6.8.23 … a line of which she kept singing .. over & over .. in the car .. on the couch .. in the shower … where she performed it … with voice .. hand .. body .. and tile .. in the morning of 7.8.23

la la bird ... a little black pen doodle by indigo eli of a little budgie walking along ... its footprints showing behind ... it has a speech bubble from its beak "la la la"


index

Child Protection. Act.

Child Protection. Act. artwork .. a full image of the work . a wall hanging on display ... a  white wooden wall . built from horizontal slats . is divided by two thin vertical studs seperating the wall . and this image . into three vertical sections .. the photo has a warm pinkish tone ... a woman stands on the left facing the wall . or the work . it is difficult to determine exactly where her gaze rests .. she is wearing black pants . a pale blue structured canvas jacket with ties hanging from the back .. a tan handbag over her right shoulder .. shoulder length dark hair and a black hat .. some other work is slightly visible on a curved white table to her left ... the right section is blank apart from an artwork description from this distance it is unreadable ... in the middle section the art work fills the wall . at 3 metres it hangs at almost twice the height of the lady .. this work is made from machinery and vintage dolls .. at the top . a flat dark piece of metal . an industrial looming jack from a woollen mill . looks a bit like a coat-hanger .. under this metal frame hang nine headless dolls equally spaced .. from the top one hands from each end .. then below them . one hangs in the middle .. then two .. then a little one .. two again .. and then one

though soft in some ways, I’m aware that this is a particularly confronting work … I’m not wishing for it to cause distress, especially for those personally navigating or affected by the issue

my wish is to evoke reflection on the topic .. on our collective responsibility . our ability to make change … an act
which can be positively moving and deeply meaningful

. .. to those .. who deeply know . who carry .. who wear .. those who resist . who transform .
who live on . .. … and that is a great many many …
my biggest empathetic soft comfort
… greatest care .. gentle . gently .. gently .. you are loved~cared for . you deserve love~care . love~care~respect can.be found .. .

artwork description

Child Protection. Act. is a crafted contemplation of voice, agency and legacy.

Reflecting upon a care industry in crisis and the layers of personal, social and communal responsibilities, the work asks us all to observe the word ‘act’ as a verb.

This work is a reminder .. of the young people and voices .. that are centre .. that are vulnerable . at times silent~/~silenced … voices that deserve our listening . consideration .. safe amplification and support.

Informed by literature and documents including court and industry reports, inquiries, Royal Commission submissions and the interim report, the artist has chosen to keep the work free from text so as to symbolise the absence of the child’s voice … to invite the viewer to engage with the stories and language written not in word, but embodied in skin.

In memory of Freda Briggs AO (1930-2016)

Emeritus Professor Freda Briggs, South Australia’s leading child protection expert, was an indefatigable advocate and advisor working on an International scale.

The Royal Commission into Child Protection in South Australia presented its report to the Governor on 5th August 2016.

This artwork was first exhibited that same day.

Child Protection. Act. artwork detail .. a mirror image of the dolls against a pale wooden wall of horizontal slats .. headless vintage dolls are hanging almost equally spaced . connected by barely visible threads  ..  the photo has a pinkish golden tone ... six headless dolls are reflected by the mirroring so we see twelve ... they all have fabric bodies and ceramic pale limbs . their bodies are stained and worn . some have dark stuffing coming out of the neck .. none have heads ... many limbs are broken .  their arms reach out towards the viewer ... the top two . shown on a slight angle . with arms and legs straight down .. look like they are flying upwards

With respect and a hat-tip to Grace Tame Australian of the Year 2021

‘Driven by an innate value of human connection and a passion for educating and protecting the community, my mission is to dismantle stigma, redirect shame and one day end child sexual abuse for good.’ Grace Tame

… and to all those whose stories are or can be reflected in this work

Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden tone ..  this doll looks full of stories ... its greyish fabric body is stained .. by muck and moisture .. ceramic legs are at an angle . one broken with a piece of hooked wire hanging from the break .. both arms are reaching forward .. left palm facing up .. an accumulation of threads hangs from its shoulder ... this doll is full of stories
Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden tone ..  this doll looks full of stories ... its greyish fabric body is stained .. dark muck in places .. its legs are wide and long .. fabric stuffed and equally shaped to the ankles where stuffing and angled wire replace feet .. high on the chest are two padded circles . their location a bit out of place ... both arms are reaching forward .. one slightly above the other as if for a hug ... this doll is full of stories
Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden tone ..  this doll looks full of stories ... its greyish fabric body is stained .. by muck and moisture  .. ceramic legs starting at the knee are broken . one is missing with a short piece of wire pointing down from the break .. the other is broken at the ankle .. both arms are reaching forward .. fingers on the left hand have broken off .. the right palm faces up ... this doll is full of stories
Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden tone ..  this doll looks full of stories ... its greyish fabric body is stained right down its right side and left thigh by dark muck .. one leg is broken off at the knee with only wire in its place .. the other is broken off at the foot .. one padded circle is attached right side of the chest .. some dark stuffing is coming up from the neck ... both arms are reaching forward .. palms tilted toward each other and down ... this doll is full of stories
Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden tone ..  this doll looks full of stories ... its pale fabric body has a straight rust-coloured stain across the left torso to shoulder .. this doll has an interesting almost active . almost running . shape ... its left leg is broken off at the thigh leaving a short piece of wire almost searching sideways .. the right is ceramic until broken off and becoming wire at the knee .. its right arm is ceramic from the upper arm until broken off at the elbow .. its left fully intact . with palm facing the body . is hanging down in an active curve ... lots of dark stuffing is coming up from the neck . one piece is curled up almost like a baby swan's neck  ... this doll is full of stories

poetic symbology … connective threads

* [~ [. [. . .. … … .. … .. . .] .] ~] *

Child Protection. Act. detail of one headless doll on a wooden slatted wall .. the photo has a warm pinkish golden almost pearlescent tone ..  this doll looks full of stories ... its pale fabric body shows the dark stuffing underneath ... its left leg . white ceramic boot from the knee . is fully intact with some dark stains .. the right is broken off at the knee with a dark wire hanging straight down in line with the left leg .. its arms, pale ceramic from the elbows, are reaching forward toward the viewer . the doll’s left palm is facing up ... dark stuffing . rising up from its neck into a roundish heap with some wisps off to the side . is shaped a bit like soft serve ice-cream ... this doll is full of stories

.. … (to me) these dolls are beautiful .. I saw them and I felt~fell in love … ..

I have placed~put~hung them in this context not to be confronting . as such … but to invite us . to confront . reality . .. … to ask . that we confront . the truths . and complex issues . at play … in all their layers . and multi.tudes … that we consider … kindly and well .. with honesty and care … that we acknowledge . the problems … adjust . our positions . and positioning … see . the little person . little developing persons . as people . as humans … that we face up . to our silences . and sweepings under rugs …

ask ourselves why … see silence & sickness .. for what . and where . they are

& consider .. . .. each child’s human rights . needs . and care … consider them .. the who for … act with . the why … front of mind … act responsibly … act humanely . .. … see . the positions . and . power dynamics … .. act . with the rights . of the littlest . at the centre … and the responsibilities . of the biggest

. .. … that we act … with . and for . the individual . and collective . young ones . living through it … living with . and within . this confrontation . without choice . without much . if any . direct . overt . active .. voice .. or support .. … that we confront . and name . what we would rather not

… that we .. help . bear the weight . of the known . and knowings .. held within their skin … ..

. .. … these dolls are beautiful … they are voice .. they are story .. they are power … a private privilege … a sacred sacred trust … they are the voice and story of the disempowered … seeking … and kindly~bravely reaching out . .. . letting us see … .. .

headless . is … anonymous … private … protected … is sharing story … being seen … seen as person … by those who do not . know … do not . no … by those who know

… headless is … personhood … individual human . life . separate . to horror.story.line … is . … we can . … is we can . break the storyline(s) … can …. plot twist … can . become .. can . something other .. some . thing . other .. than other.s. mistakes .. other.s . past .. other.s. mis.takes … miss takes .. like movie . makes … can’t un.take … but can ‘cut!’ . the ties that bind .. take another try .. try better … .. we can …. try good . try better … make good marks … we can . make better … we can … better … better … better … we can … .. .

. … .. . and so . I wish … and I am you … and you are me … and so we all wish

… we have all wished … and many have acted … and many have spoken

… and I . you . we . have acted .. and spoken~seen~known . .. … ‘Act.’ … .. .
as a . thought.full . verb .. as an exclamation .. as an active verb … act is a verb .. and so … and . now

my human to human empathetic provocation is this: if this work is confronting or other.world.ly … get what you need to get you through … and if you can~dare imagine . empathise … if . it is confronting to look at .. to process … to think through .. to try to . work out . consider . what to do … imagine … how confronting . it is . to the young . human. souls … living it … trying .. to process . it .. make sense of it .. make it make sense … at a young age … with a growing . developing brain … imagine . ( and I’m sure you can ) . being . within . a complex problem … which evokes constant questioning … which etches stories into your system … which are no fault . or design . of your own … nor your responsibility . to fix … and yet .. can you . the disempowered … you . the child .. cope with it? . change it? … and if not . you . then who?

Child Protection. Act. .. the artist standing with her artwork .. indigo looks up at the dolls on the white slatted wall  ..  the photo has a warm pinkish tone .. at the top of the work . a dark flat piece of metal . appears a bit like a coat-hanger . the underneath of each arm edged with saw-like teeth . this metal frame hangs over and holds seven headless dolls draping down by invisible thread ... the artist is dressed in steampunk costume . wrist decorations made from tea-stained cotton doilies . black jacket to the elbows . vintage white cotton shirt peeking through . a black scarf . her shoulder length hair, dark blonde and curling slightly at the ends under a black bowler hat with vintage leather flight goggles atop the brim .. she stands in the bottom left corner of the image looking directly up at the dolls . directly up at the work
Child Protection. Act. .. the artist standing with her artwork .. a mirror image of the previous photo .. the artist stands in the bottom right corner of the image looking directly up

year: 2016

materials: dolls: as found, harness jack from an industrial looming machine (Onkaparinga Mill artefact), fishing line, stoppers/grips

dimensions: H 300 cm W 85 cm D 15 cm

exhibitions:
Child Protection. Act. was first exhibited in Threads of Industry, group exhibition by h.ART (now Fabrik) in the old Onkaparinga Woollen Mill, SALA Festival 2016

exhibited online as part of The Poetry Of Object 0.2 during SALA Festival and Poetry Month 2023

arty facts

‘one child is abused or neglected every 11 minutes in Australia’

Ita Buttrose AO, OBE, foreword to ‘Child Protection – The essential guide’ Prof. Freda Briggs AO 2012

Freda’s first job was in a woollen mill in England, where at 15 she began making history by reporting the chief engineer for sexual harassment … she went on to become an international child protection advocate based in SA, contributor to countless parliamentary enquiries and so much more … she worked right up til her passing … after successfully campaigning against mandatory retirement

Freda Briggs, through her roles as educator, author, scholar and ambassador, ceaselessly and passionately worked towards her vision to provide a safer and more caring world for children. source: UniSA

‘few politicians escaped her pen’

source: Sydney Morning Herald

‘Professor Briggs was one of Australia’s most sought-after experts about child abuse issues and the psychology of child abusers. Her expertise was frequently sought across the world.’

South Australia’s Acting Premier John Rau said the state had greatly benefited from Professor Briggs’ efforts, even though it had not always been easy to listen to what she was saying.

“We are all actually better off for having her loud, clear voice in the areas that she’s spoken up on,” source: ABC News

“I think I’ve achieved what I have through sheer hard work
and being prepared to run through brick walls”

Freda Briggs when awarded an Honorary Doctorate of Letters by the University of Sheffield in 2009 source: Sydney Morning Herald

more funding is needed for support including early intervention approaches for children and their families … South Australia has the highest rate of children and young people in the country on long-term finalised guardianship orders … with 1 in 6 children in care living in residential care, (i.e. not in caring~calming~stable homes), at the end of 2021-22 source: media release Office for the Guardian for Children and Young People, June 2023

a new head of Child Protection … South Australia has been looking for . and just decided on . a new head

… “one in three South Australian children are notified to the Department for Child Protection at some point in the course of their childhood” said Child Protection Minister Katrine Hildyard

… child protection advocate Belinda Valentine, said improvements could be made, but only if the department enlisted the help of the community … “it’s about really engaging and listening and strengthening the community around the children.” source: ABC news, July 2023

‘Child sexual abuse is more common than many realise; 1 in 6 Australian boys, and 1 in 3 girls will be sexually abused before the age of 18.’ source: ABC Radio National, 2013 (content care!)

1 in 5 Australian children experience sexual abuse.

source: Grace Tame Foundation, Ref: Royal Commission into Institutional Responses to Child Sexual abuse, 2017

‘The national Royal Commission into child sexual abuse ‘will delve into clubs, community and religious organisations to expose shocking injustices perpetrated against young victims. … None of these public inquiries will examine the most abusive institution of all; the family. The family is responsible for the vast bulk of child sexual abuse, according to psychologist and criminologist Professor Stephen Smallbone.

an image of the poet and artist indigo eli sitting on a dark brown slatted bench . with a placard of Grace Tame’s words resting against her knees . she is wearing black denim jeans .. the image has been taken by the artist from above ... thin grey vertical pavers line the bottom of the image .. above them a horizontal silver drain is adorned with one fallen autumn-orange oak leaf .. above that is a large white card covered with black handwritten words. It reads: ... Having children doesn't guarantee a conscience"

‘I think in around 70% to 80% of cases [of child sexual abuse] the relationship between the offender and the victim is a familial relationship of some kind.’

Stephen Smallbone, psychologist and criminologist, source: ABC Radio National, 2013 (content care!)

“… having children doesn’t guarantee a conscience.”
Grace Tame

‘Grace Tame is an anomaly, reporting her abuser to her principal, who then informed the police, just months after the abuse ended.’ source: ABC Australian Story

“On average it takes 23.9 years for survivors of child sexual abuse to be able to speak about their experiences. Such is the success of predators at instilling fear and self-doubt in the minds of their targets … such is the power of shame, a power though, that is no match for love.”

source: Grace Tame, National Press Club address

Grace Tame, the 26-year-old who helped lead the fight to overturn a law preventing sexual assault survivors from speaking out … who applied to the Supreme Court for the right to publicly self-identify as a rape survivor and won, before going on to advocate for others … was named Australian of the Year for 2021. “All survivors of child sexual abuse, this is for us,” she said. source: ABC News

“I felt that I needed to share my story, publicly and under my own name, to raise awareness and educate others about sexual abuse and the prolonged psychological manipulation that belies it.”

In 2017 Grace and dear friend & journalist Nina Funnell were barred from sharing her story by Section 194k of Tasmania’s Evidence Act. which made it illegal for survivors of child sexual abuse to be identified in the media, even after turning 18, even with their consent

Motivated by the injustice in Grace’s case, Nina Funnell launched the Let Her Speak campaign in November 2018, which quickly grew to support 16 other abuse survivors. That campaign led to Grace being given an exemption by the Tasmanian Supreme Court to speak publicly, and eventually overturned the law. source: ABC News

“It’s so important for people to own their own story, their own narrative and to take back control of who they are. And it’s so important that survivors know that it’s not their fault and to have the support of the community and the support of the law.” words of Grace Tame source: ABC News

“As a fortunate nation, we have a particular obligation to protect our most vulnerable, our innocent children, and especially those who are further disadvantaged through circumstance, being part of a minority group, or geographical location.”

” … it all starts with conversation … what we do to expand our knowledge of this heinous crime, in particular the grooming process … how we provide a consistent national framework that supports survivors and their loved ones, not just in their recovery, but also to disempower and deter predators from action.”

“I believe that paedophilia is an absolute wrong, right? And if you don’t absolutely oppose it, you therefore condone it,” Tame said.’ source: Women’s Agenda

side note: the artist’s website spellcheck doesn’t recognise the spelling~the word paedophilia, 8.8.23

The Six Phases of Grooming
1 targeting .. 2 gaining trust … 3 filling a need …. 4 isolating ….. 5 sexualising …… 6 maintaining control

“every story is imbued with unique catalytic educative potential,
that can only be told by its subject.”

Grace Tame, National Press Club address

“Child sexual abuse is permanently damaging but it doesn’t have to stop you from doing anything,” Grace says. “In fact, it can be the very thing that drives you to achieve great things.” source: ABC Australian Story

“It is so important for our nation, the whole world in fact, to listen to survivors’ stories.

Whilst they are disturbing to hear, the reality of what goes on behind closed doors is more so. And the more details we omit for fear of disturbance, the more we we soften these crimes, the more we shield perpetrators from the shame that is resultantly misdirected to their targets.

When we share, we heal, reconnect and grow; both as individuals, and as a united strengthened collective.

History, lived experience, the whole truth, unsanitised, and unedited, is our greatest learning resource. It is what informs social and structural change.”

Grace Tame, National Press Club Address

… and one more . good one
some young people in care in South Australia are provided with the opportunity to connect one-on-one with artists … trauma-informed artists … giving young people . in care . an … I see you, I value you … a supported outlet . another outlet . creative outlets for expression … for voice

related documents

I read many documents when making the work that I have chosen not to link to here .. including inquiry submissions, and court reports of individual cases .. if you wish to, I trust that you can find some

The Life They Deserve, Royal Commission report into Child Protection in South Australia,
Dept of Child Protection, Govt of South Australia, Aug 2016
A fresh start Government of South Australia’s response to the report, Nov 2016

Safe and Well: Supporting families, protecting children, Dept of Child Protection,
brings together the findings from two significant Royal Commissions
Govt of South Australia’s plan for supporting families at risk of entering the child protection system to safely care for their children, protecting children and young people from harm including when they are in care, and investing in young people in care and leaving care to provide them with opportunities for a bright future. … including the Aboriginal and Torres Strait Islander Child Placement Principle which ‘recognises Aboriginal children’s rights to maintain connections to family, community, culture and country.’, and acknowledges ‘that Aboriginal families are currently overrepresented in the child protection system and that past government policies and practices in this space have had devastating impacts and caused lasting trauma. Aboriginal people have the knowledge and experience to make the best decisions regarding Aboriginal children.’

Charter of Rights for and young people in care, Office of the Guardian for Children and Young People
Residential Care, Child Protection SA

Mullighan Inquiry into the abuse of children in state care, Commission of Inquiry, South Australia, 2008
Report of the Independent Inquiry into Foster and Kinship Care in SA, Govt of South Australia, 2022
Every effort for every child: South Australia’s strategy for children and young people in care 2020-2023, Dept of Child Protection, Govt of South Australia

Bringing Them Home Report, National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from Their Families, Human Rights and Equal Opportunity Commission, 1997
Indigenous people take the lead in healing the trauma of the Stolen Generations, ABC News, 31 May 2020
Make Healing Happen: It’s time to act report, plan with recommendations to achieve real and lasting healing for Stolen Generations survivors, their families and communities, The Healing Foundation 2021
Children Falling Through The Cracks In Closing The Gap, SNAICC media release, 12 July 2023

on the National Royal Commission into Child Sexual AbuseFinal Report
The family trap: how the Royal Commission is missing many abuse cases, Background Briefing, ABC Radio National .. with transcript (content care!)
Royal commission should pave way for new court to deal with child abuse: Dr Freda Briggs, ABC PM .. with transcript

Former Senior Australian of the Year Freda Briggs Dies, ABC news
Child protection pioneer Freda Briggs dies, aged 85, InDaily
Professor Freda Briggs tackled the systemic problem of child sexual abuse, Sydney Morning Herald

Finally, She Can Speak: Her abuser could speak out. And he did. Now, she can too., ABC Investigations
Australian of the Year Grace Tame’s full National Press Club address | National Press Club, source: ABC News youtube, with transcript (content care!)
Grace under fire: Grace Tame raised her voice and started a revolution that would change the national conversation. But being Australian of the Year has taken a toll, ABC, Australian Story
Grace Tame’s 12 months as Australian of the Year results in spike in sexual assault support referrals, ABC News

Australian Child Maltreatment Study, April 3 2023


index

if the gravity of these works has sunk you somewhat, or is sinking in … may I suggest some grounding … time in nature, perhaps … if you can’t make it outside .. to sink hands or feet into soil .. or tune in with some trees … or if you’d appreciate a poem to get you in the mood … here’s little film to take you there …

soft ground

support services listed below


index

The Poetry of Object 0.2 … object is a verb
is:
a love song

thankings …

The Poetry of Object 0.2 exhibition has been concepted, created and produced by indigo eli and made possible with the kindness of conversations, consultation, collaborative, commented on & individual decision-makings, in-kind contributions, arts funding, and support

I would like to say a big heartfelt thank you … to Shaun, William, Rowan, anony-mouse, Tracey, Tracey … to all those listed below … all those, named and unnamed, who have shared thoughts, sat in conversation, supported in a myriad of ways … including contributing materials for the artworks, most substantially Belinda and Ervin for the trust and gift of some precious charcoal … you can see their evocative work here: the image-rich instagram of Ervin Janek, and Belinda Broughton’s echidnas don’t live here anymore: poems of loss and recovery since the Black Summer Bushfires and charcoal drawing with no name

Auslan acknowledgment of country: Deaf Aboriginal Services
opening statement: Shaun Berg
creative Auslan descriptions: William Maggs, developed in collaboration with indigo eli
soft ground poetry film: indigo eli, with consultation from Samantha Wilson
little doodles: indigo eli
photos: Rowan Dodds, indigo eli, anony-mouse, Royce Kurmelovs, Anne Griffiths~h.ART
photo editing: Rowan Dodds, indigo eli
audio image descriptions: indigo eli
fun & curious conversations about artworks: anony-mouse & indi-mouse, sound edit: indigo eli

The Poetry of Object 0.2 experimented with a hybrid-model of display … allowing in person experiences of individual works in group exhibitions & venues across South Australia during SALA Festival and national Poetry Month in 2023. Thanks to associated galleries & venues: Pepper Street Arts Centre, Prompt Creative Centre, and Part of Things … and to the City of Unley and Arts South Australia.

This online exhibition has been brought to you by

indigo eli logo .. deep blue text on white

as part of SALA Festival and Red Room’s Poetry Month Calendar and with support from the City of Unley & Arts South Australia

… ta very much!

want to leave a comment, or connect with the artist you can send a message h.ear … you may or may not receive a response … for what.ever reason .. . perhaps she . might be . resting .. sleeping .. dreaming … .. lying on the ground . laughing at clouds .. . she hopes you understand

regarding law: I am poet. I am not lawyer. Try as I might to make sense and sense of it, law is . and official documents are . complex . and layered . and deep . and meaning . and full . and some.times gappy … it is lots of heavy language to get your teeth into .. your mouth . and mind . around … and I am playing .. more . with questions . than . with answers .. so … please excuse any oversights . omissions of import.ance . or poetic miss.under.stand.ings … references, sources, etc may . or may not . be current and~or out of date

regarding access: life means always learning … and this exhibition involves new experiments with access within indigo’s practice … any comments or suggestions can be shared here


index

support, advocacy, advice …
… teaching resources & further information portals

if you are needing or wanting support … more information … or wishing to support those folk supporting others … I hope you find something to suit

. .. varied accessibility & contact options .. .

Kids Helpline 24/7
for kids 5-12 yrs … for teens 13-17 … for young adults 18-25 … for schools
Parent Helpline

Headspace online and telephone support for children and young people aged 12 to 25, and their families
yarn safe

ReachOut 24/7 anonymous online support for young people
for young peopleparents/carersschools

Youth Law Australia free confidential legal information & help for young people under 25
get legal help

54 reasons Australian child rights organisation
kids cornerservices for children, teens, caregivers and professionalsfamily support
assertive outreach for young people between 8 and 17 at risk of engaging in criminal activity and want to find an alternative
specialist violence and assault services

eSafety Commissioner
for kidsreport cyberbullying, get help & support
for young peopleunsafe or unwanted contact
for First Nationswomenseniorsparents
help in languages other than English (no Auslan unfortunately) … easy read English
Report Online Harm

13YARN Aboriginal & Torres Strait Islander Crisis Support 24/7

WellMob social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander People

Lifeline 24/7
language support
chat online

Beyond Blue 24/7

1800Respect 24/7 support for people impacted by domestic, family or sexual violence

Full stop Australia 24/7 offering confidential, trauma specialist counselling for people of all genders who are impacted by violence and abuse, as well as their friends, colleagues and family members. Interpreters available on request
get helpour servicesfind servicesresourcestranslations
something has happened to meI have hurt someone I care about

Stop It Now! Australia child sexual abuse prevention program working with adults concerned about their own, or someone else’s sexual thoughts or behaviours towards children
anonymous help and live chat

Yarrow Place Rape and Sexual Assault Service (SA) 24/7 crisis response service for recent rape or sexual assault
free and confidential services for people aged 16 years and over at the time of the sexual assault
services … including counselling & regional connections

National Association of Services Against Sexual Violence
support directory

QLife 3pm til midnight everyday, phone and online, Australia-wide anonymous, LGBTI peer support and referral for people wanting to talk about a range of issues

MensLine Australia 24/7 telephone and online counselling service offering support for Australian men anywhere, anytime

Suicide Callback Service 24/7 nationwide service providing phone and online counselling to people affected by suicide
phone and online counselling

The Urgent Mental Health Care Centre 24/7, Adelaide, offers an alternative to presenting at hospital Emergency Departments for a mental health crisis

Sane Australia for people with recurring, persistent or complex mental health issues and trauma, for their families, friends and communities
get support
digital mental health service for people who find it hard to access mainstream services

National Psychosocial Support Program free individual support, NDIS application, and group supports for people with mental illness who are not on the NDIS … delivered through 13 of the 31 Primary Health Networks
get support in Adelaide
get support in Country SA

Just Listening Community Christies Beach SA, offers free support for people 18+ experiencing psychosis, suicide or emotional distress, welcome to attend anonymously

000 emergency assistance … how to call 000
text relay and other emergency numbers

current efforts for a Deaf, non-verbal, and non-English friendly 000 app
‘Calling triple zero in an emergency is something most of us take for granted, but for deaf people the process is far more complicated. Now, a new South Australian-developed app could make the experience easier and faster, when every second counts.’ channel 7 news video
further info from Ben Hatchard (Auslan, with captions) background information .. update … and petition

National Auslan Communications for Emergencies
note: some videos not available .. some do work, scroll down
emergency info for Deaf & Deafblindgeneral emergency infobushfire info
info for Broadcasters

Auslan Media Access group aim to work together as one big community around Australia to lobby and increase awareness

Australian Red Crosshelp in Emergencies
services
support for Asylum Seekers in Australia
help for migrants in transition

Save The Children
emergency response
54 reasons
journey of hope mental health and wellbeing support for students after experiencing trauma, such as a hazards disaster
our voice working with local decision makers to amplify the voices of kids impacted by disaster

South Australian State Emergency Service SES

South Australian Country Fire Service CFS
bushfire survival plan
farm fire safety & prevention
create your own bushfire plan

Emergency Leaders for Climate Action
Australian Bushfire & Climate Plan
resources

What’s the best face mask for bushfire smoke? Choice

Womens Information Service, SA

Working Women’s Centre legal advice, information, advocacy

Zahra Foundation empowering women’s financial independence through education, community, recovery

Australian Human Rights Commission on Sex Discrimination
guidesknow your rights

Know the Line promoting respect, ethics, and compliance to ensure a positive and inclusive work environment for employees and employers alike
code of conduct infoprevention tips for a harassment-free workplaceseek help

Share The Dignity works to make a real, on-the-ground difference to the lives of women, girls and those who menstruate who are experiencing or at risk of homelessness, domestic violence or poverty
get help

Champions of Change Coalition recognise that gender inequality is a business, economic, social and human rights issue
reports & resourcestake action

Respect@Work, Aust Govt, creating safe, inclusive and respectful workplaces
get help

Our Watch work to embed gender equality and prevent violence where Australians live, learn, work and socialise
tools and resourcesprevention in action
reporting on violence against women

Fair Work Commission Australia’s workplace relations tribunal and registered organisations regulator. We make awards, approve enterprise agreements and help resolve issues at work
issues we help withlegal help and representationapply to stop sexual harassment at work
support for your health and wellbeing

Women’s Rights, Australian Human Rights Commission

NATSILS (National Aboriginal and Torress Straight Islander Legal Services)

Aboriginal Legal Rights Movement (SA) an Aboriginal community organisation which is also a law practice
legal servicesdisability legal supporthelp a sista outfinancial counsellingadvocacy and more

Legal Services Commission of South Australia legal aid
free legal advice

Community Legal Centres Australia free Legal Advice, assistance and referrals to community members who might otherwise not get the help they deserve
SA

Deaf Aboriginal Services

Deaf Indigenous Community Consultancy

Deaf Survivors of Domestic Violence Australia
get help
get involved

World Federation of The Deaf
position paper on the primacy of deaf people in the development and teaching of national sign languages

Deaf Children Australia
parent mentor programresources
our stories

Deaf Australia
resources .. policiesstatements & paperspreferred Auslan interpreters: position paper
Accessibility and Inclusion toolkitwebinarsOur Deaf Ways (video podcasts)
external resources including a spreadsheet of Deaf Aware Psychologists & Counsellors in Australia

Expression Australia empower people who are Deaf, hard of hearing to overcome barriers in their life and choose how they want to live
projectsdeaf regional healthrainbow projectI am Deaf this is how I work

Deaf Connect
resourcesfor kidsfor parents of Deaf kids

Sign Language Australia
Deaf Awareness Training

The Deaf Butterfly Effect
Deaf Priori-ty Grant in honour of Barry Priori

The Rebuttal an Independent Ezine and website that aims to promote and create discussion about Deaf and hearing impaired issues

My Response to Cultural Appropriation of Auslan, Auslan Manifesto, Darlene Thornton

Rethinking Inclusive practices, Creative Connections Session 28, Aust. Council for the Arts, guest panelist: Dr Riona Tindal

People with Disability Australia (PWDA), Australia’s peak rights and advocacy organisation by and for people with disability or who are d/Deaf
get helpservicesAuslan videos
disability and human rights
a guide to language about disability

Ask Izzy People with disability who need someone to speak up for them can use Ask Izzy to search for independent Disability Advocacy providers in their area

Responding to a child or young person about harm, how to approach and provide support around disclosures of abuse or neglect, Dept of Child Protection, Govt of South Australia
Report suspected harm of children and young people, Child Abuse Report Line (CARL) and online reporting

Office of the Guardian for Children and Young People, SA Govt
for young people in care or detention, your rights and what to do if you need help
for adults

Post-care Services, Child Protection SA, many people who were in care in South Australia as children are eligible for post care services

Fostering Change Australia advocate, educate and create change

Bravehearts support services for children, young people and families impacted by child sexual abuse
Bravehearts Information & Support Line

Blue Knot Foundation empowering recovery from complex trauma
Blue Knot Helpline and Redress Support Service
understanding trauma and abuse
sharing your story
providing support to a survivor and looking after yourself
National Counselling and Referral Service – Disability

RASARA (Rape and Sexual Assault Research and Advocacy)
find help ~ state services
consent toolkitsexual violence prevention hub

SAMSN (Survivors & Mates Support Network) for male survivors of child sexual abuse and their supporters

PartnerSPEAK advocacy and support for non-offending partners, family members, friends, or anyone else who is affected by a person’s involvement in child sexual abuse and child exploitation material

National Redress Scheme for people who have experienced institutional child sexual abuse

knowmore helps all survivors of child sexual abuse navigate their legal options with free legal advice and a range of support services

Australian Centre for Child Protection UniSA
servicesresources
Emeritus Professor Freda Briggs AO Memorial Fund

Smart Parenting for Safer Kids and Child Protection: The Essential Guide, Freda Briggs

To stop abuse, we first need to understand grooming, Grace Tame, TEDxSydney (video with captions)

Validation of the Sexual Grooming Model of Child Sexual Abusers, Georgia M Winters, Elizabeth L Jeglic, Leah E Kaylor, PubMed

Child Sexual Abuse: 6 Stages of Grooming, Dr. Michael Welner, Oprah.com

What is Grooming, article, collaboration Rebecca Scorgie & Australian Catholic University

eSafety Commissioner
Unsafe or Unwanted Contact (for young people)
Child Grooming and Unwanted Contact (for parents & carers)
for educatorsUnwanted Contact and Grooming Facts and Learning Resourcestoolkits for schools
for industry

National Association for Prevention of Child abuse and Neglect (NAPCAN)
children’s voices reports across Australia .. brochures for parents & carers .. posters & activity sheets .. tips for playing your part
guidelines: treatment of children in the media

The National Centre for Action on Child Sexual Abuse
researchresources

National Office for Child Safetyget supportmake a report
what is child sexual abuse?
Keeping Our Kids Safe: Cultural Safety and the National Principles for Child Safe Organisations
National Principles for Child Safe Organisations
resourceslanguage, terminology and image guide
Reporting on child sexual abuse – guidance for media and victims and survivors

How DCP works, support and information about being a carer, Dept of Child Protection SA
maintaining Aboriginal cultural identity and connections
Resources for foster and kinship carers
Become a carer we need all kinds of carers, from emergency carers who can take care of children at short notice to those who can provide a home for children until they turn 18

The Keeping Safe: Child Protection Curriculum (KS:CPC) a child safety and respectful relationships curriculum providing age and developmentally appropriate activities for children and young people from age 3 to year 12 (age 17+). Accessible across the world through licence agreement with the South Australian Minister for Education
KS:CPC information for educators, Dept for Education South Australia
KS:CPC information for parents and carers, Dept for Education South Australia

The #MeToo Movement: History, Sexual Assault Statistics, Impact, Verywell Mind

#LetHerSpeak combine legal advocacy, media advocacy and systems based advocacy to support the survivor community and secure tangible outcomes and policy reform
info for media

The Grace Tame Foundation a not-for-profit philanthropic organisation established by the 2021 Australian of the Year, Grace Tame, to campaign for and help fund initiatives which work to prevent and respond to sexual abuse of children and others
projectsthe harmony campaignsuper for survivors campaignthe stop gaslighting survivors campaign

SNAICC (Secretariat of National Aboriginal and Islander Child Care) the national voice for Aboriginal and Torres Straight Islander children … non-government peak body representing the interests of Aboriginal and Torres Strait Islander children and families
supporting carers

National Apology to the Stolen Generations, Aust Govt, 2008
National Museum Australia
classroom resource

Bringing them Home stories of the stolen generations
includes teaching resources
healing

The Healing Foundation national Aboriginal and Torres Strait Islander organisation that provides a platform to amplify the voices and lived experience of Stolen Generations survivors and their families, offers a wide range of resources on trauma and healing for Stolen Generations survivors, their descendants, families and communities
community healing
training material

Reconciliation Australia
National Sorry Day

UN Declaration on the Rights of Indigenous Peoples

Australian Indigenous Governance Institute (AIGI) an independent, Indigenous-led centre for governance knowledge and excellence
Indigenous Governance Toolkit

AIATSIS (Australian Institute of Aboriginal and Torres Straight Islander Studies)who we arewhat we do
family history
Austlang an online database about Australian and Torres Strait Islander languages ‘The Australian Indigenous languages collection includes over 4500 titles and has been deemed to be of such world significance that it was placed on the UNESCO Australian Memory of the World Register in 2009′
who’s country am I on?

Centre for Aboriginal Economic Policy Research (CAEPR) social science research body focusing on Indigenous economic and social policy from a national perspective
publications

First Languages Australia

The Uluru Statement from the Heart
Auslan translation (with English captions)
translations
resources

First Nations Voice to Parliament, South Australia

and about a referendum coming to you soon … Australian Govt about the National Voice to Parliament & Govt: Aboriginal and Torres Strait Islander Voice … voting will take place late 2023
Voice principlescommunity toolkit, including audio, video and Auslan .. more Auslan info
First Nations resources, including audio in languagetranslated resources in a range of languages
resourcesreferendum question & proposed Constitutional amendment

Australian Anthropological Society
First Nations Initiative
101 Ways to Disrupt Your Thinking

Climate Council independent, evidence-based organisation on climate science, impacts and solutions
communication guides

The ARC Centre of Excellence for Climate Extremes reduces Australia’s economic, social and environmental vulnerability to climate extremes
Climate Classrooms

United Nations on Climate Action
17 Goals to Transform our world: Sustainable Development Goals, United Nations
student resources

The time to act on the climate crisis is now, Australian Psychologial Society

United Nations Office for Disaster Risk Reduction
inclusion

Welcoming Australia
welcoming centre (SA) .. welcoming cities (AU)welcoming clubs

The Refugee Advocacy Service of South Australia

Australian Migrant Resource Centre

Refugee Council of Australia

Asylum Seeker Resource Centre
resources

Human Rights For All
our stories

Kaldor Centre for International Refugee Law at UNSW Sydney
award-winning storytelling project ‘Temporary’ (… someone remind me to look at this when I’ve got a long minute)

The UN Refugee Agency
help for refugees and asylum seekers

The Australian Human Rights Commission an independent third party which investigates complaints about discrimination and human rights breaches

Australian Pro Bono Centre

Justice Connect

National Justice Project

United Nations Human Rights Council

Universal Declaration of Human Rights (UDHR)
Translations Project
UDHR in sign languages
Our goal is to share the UDHR with the entire world, and anyone is welcome to contribute a new translation that is not already in the collection … (eg Auslan .. hint hint)

Arts Law Centre of Australia provides free or low cost specialised legal advice, education and resources to Australian artists and arts organisations across all art forms, on a wide range of arts related legal and business matters … get legal adviceadvocacy
Artists in the Black a non-government service that supports Aboriginal and Torres Strait Islander artists, filmmakers, musicians and arts organisations with legal advice and resources
Indigenous Intellectual Cultural Property (ICIP) video with captions
Raw Law provides simple, accessible legal information for people who experience major barriers to participating in the arts, including artists with a disability

The Fake Art Harms Culture Campaign

Protocols for using First Nations Cultural and Intellectual Property in the Arts, Aust Council for the Arts

Arts Access Australia national peak body for arts and disability

Arts + Disability facts in Australia, Art Advocacy Australia

Resources: Accessibility symbols, Access2Arts

Australian Copyright Council
legal advice service

Copyright Agency
help centre

Australian Society of Authors ASA
advice & recommended rates of pay

National Association of Visual Arts NAVA
Code of Practice + artist feesPrinciples, Ethics and Rights

The Media, Entertainment & Arts Alliance MEAA, union and industry advocate for Australia’s creative professionals

Support Act provides financial relief for music workers in crisis, mental health counselling through the Wellbeing Helpline, assistance with funeral expenses and financial guidance

Ethi-call provides expert and impartial guidance to help people make their way through life’s toughest challenges, whether your issue is personal or professional, large or small

… and one more document for our reading pleasure, Australian Govt’s new national cultural policy 30 January 2023
Revive: a place for every story, a story for every place


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a little tune to leave off with

… ok, one more . .. one last one

“… let’s keep smilin’ .. let’s keep laughin’ .. let’s be happy ho ho ho ho ha!”
thanks Ms Day for light.en.ing the night work. ie 31.7.23

wandering bird ... a little black pen doodle by indigo eli of a little budgie walking along ... its footprints showing behind


© indigo eli . .. . Terms of Use
. .. … values & approach … .. .

if you would like to support indigo and her work, you can buy her virtual coffee here